5 Year Print Market Review 2023
Birmingham Race Riot 3 - Unsigned Print by Andy Warhol 1964 - MyArtBroker

Birmingham Race Riot 3
Unsigned Print

Andy Warhol

£3,500-£5,000 VALUE (EST.)

$6,500-$9,500 VALUE (EST.)

$6,000-$8,500 VALUE (EST.)

¥30,000-¥45,000 VALUE (EST.)

4,050-6,000 VALUE (EST.)

$35,000-$50,000 VALUE (EST.)

¥640,000-¥920,000 VALUE (EST.)

$4,350-$6,000 VALUE (EST.)

-2% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1964
Unsigned Print Edition of 500
H 51cm x W 61cm

TradingFloor

3 in network
2 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2023Swann Auction Galleries - United StatesBirmingham Race Riot 3 - Unsigned Print
January 2023Wright - United StatesBirmingham Race Riot 3 - Unsigned Print
October 2022Doyle New York - United StatesBirmingham Race Riot 3 - Unsigned Print
September 2022Sotheby's Online - United KingdomBirmingham Race Riot 3 - Unsigned Print
June 2022Rago Arts and Auction Center - United StatesBirmingham Race Riot 3 - Unsigned Print
May 2022Los Angeles Modern Auctions - United StatesBirmingham Race Riot 3 - Unsigned Print
March 2022Christie's New York - United StatesBirmingham Race Riot 3 - Unsigned Print

Meaning & Analysis

From the early 1960s, Warhol began to depict menacing themes of disaster and conflict and these themes are exemplified in his Death and Disaster series from 1963 where the Birmingham Race Riot first appeared. Despite denying any political ties in his work, this image is evidence of a strong reaction to social and political issues of the civil rights movement. Using a single image from mass-media culture and repeating it several times, Warhol memorialises the political tensions that existed in America at the time, and critically illustrates the detachment of fine art from such events.

Recalling the quality and tone of the original photographic source, Warhol’s print is flattened by high contrasts that makes the image difficult to decipher. The image has also been cropped to abruptly cut off some figures in the crowded scene, thus producing an urgent and frenzied atmosphere.

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