5 Year Print Market Review 2023
Eric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print by Andy Warhol 1982 - MyArtBroker

Eric Emerson (Chelsea Girls) (F. & S. II.287)
Signed Print

Andy Warhol

£6,500-£9,500 VALUE (EST.)

$12,000-$17,000 VALUE (EST.)

$11,000-$16,000 VALUE (EST.)

¥60,000-¥80,000 VALUE (EST.)

7,500-11,000 VALUE (EST.)

$60,000-$90,000 VALUE (EST.)

¥1,050,000-¥1,540,000 VALUE (EST.)

$8,000-$11,500 VALUE (EST.)

14% AAGR

This estimate blends recent public auction records with our own private sale data and network demand.

Screenprint, 1982
Signed Print Edition of 75
H 76cm x W 56cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
November 2020Wright - United StatesEric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print
November 2020Rago Arts and Auction Center - United StatesEric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print
June 2019Forum Auctions London - United KingdomEric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print
January 2017Phillips London - United KingdomEric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print
March 2016Christie's New York - United StatesEric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print
January 2012Phillips New York - United StatesEric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print
October 2011Christie's New York - United StatesEric Emerson (Chelsea Girls) (F. & S. II.287) - Signed Print

Meaning & Analysis

Emerson starred in Warhol’s film Chelsea Girls from 1966 as well as Andy Makes a Movie(1968) and The Velvet Underground Tarot Cards (1966). This print features frames from Warhol’s film Chelsea Girls with Emerson shown in neon hues of pink, blue, yellow and red. The resulting abstracted image is indicative of the artists interest with lighting manipulation and use of repetition.

Unlike other contributions to this portfolio, Warhol takes the portfolio title quite literally by printing a still from one of his own avantgarde films, exemplifying his renowned, cynical humour. Warhol utilises the film frames in an abstracted context, against a white background and rendered in unnaturalistic colours. By including the piece of film reel itself, Warhol reveals the process of film making in this print, and thus blurs the lines between art, life, reality and representation.

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