5 Year Print Market Review 2023
Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) - Signed Print by Andy Warhol 1984 - MyArtBroker

Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316)
Signed Print

Andy Warhol

£100,000-£150,000 VALUE (EST.)

$190,000-$290,000 VALUE (EST.)

$170,000-$250,000 VALUE (EST.)

¥890,000-¥1,340,000 VALUE (EST.)

110,000-170,000 VALUE (EST.)

$960,000-$1,440,000 VALUE (EST.)

¥18,150,000-¥27,230,000 VALUE (EST.)

$120,000-$180,000 VALUE (EST.)

26% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1984
Signed Print Edition of 70
H 81cm x W 112cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
April 2016Christie's New York - United StatesDetails Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) - Signed Print
November 2013Van Ham Fine Art Auctions - GermanyDetails Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) - Signed Print
October 2011Christie's New York - United StatesDetails Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) - Signed Print
April 2008Christie's New York - United StatesDetails Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) - Signed Print
November 2002Christie's New York - United StatesDetails Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) - Signed Print
June 2000Christie's London - United KingdomDetails Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) - Signed Print

Meaning & Analysis

Produced in the last years of his life, Warhol’s series, Details of Renaissance Paintings, renders masterworks of Italian Renaissance artists in the twentieth-century medium of screen printing. This particular image, one of six styles from the Botticelli series, stays true to the Quattrocento master’s palette, but updates the image with bright pinks and yellow highlights. Warhol first applied printing to Renaissance masterpieces after seeing the Mona Lisa in New York in 1963. Two decades later, he returned to the subject of the female icon with Botticelli’s Venus, giving her a similar treatment to that of Marilyn Monroe.

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