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Gems (F. & S. II.88) - Signed Print by Andy Warhol 1978 - MyArtBroker

Gems (F. & S. II.88)
Signed Print

Andy Warhol

£35,000-£50,000Value
Indicator

$70,000-$100,000 Value Indicator

$60,000-$90,000 Value Indicator

¥320,000-¥450,000 Value Indicator

40,000-60,000 Value Indicator

$350,000-$500,000 Value Indicator

¥6,520,000-¥9,310,000 Value Indicator

$45,000-$60,000 Value Indicator

6% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Format: Signed Print

Year: 1978

Size: H 76cm x W 102cm

Edition size: 20

Signed: Yes

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Andy Warhol's Gems (F. & S. II.88) (signed) is a screenprint from 1978, estimated to be worth between £35,000 to £50,000. This artwork has seen a total of 3 sales at auction to date, with the first sale recorded on 4th May 2010. The hammer price in the last five years was £24,421 on 11th November 2020. The average return to the seller over this period has been £20,758, with an average annual growth rate of 6%. The edition size of this artwork is limited to just 20.

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
November 2020Doyle New York - United StatesGems (F. & S. II.88) - Signed Print
May 2010Bonhams San Francisco - United StatesGems (F. & S. II.88) - Signed Print
May 2010Bonhams San Francisco - United StatesGems (F. & S. II.88) - Signed Print

Meaning & Analysis

Gems (F. & S. II.88) is part of the Gems series. This series is composed of four prints, each one depicting a precious gemstone. Warhol himself was an avid jewellery collector, however his impressive jewellery collection was not discovered until after his death in 1987. The series was produced towards the end of Warhol’s career and marks his expressive turn. The experimental use of lines and colour in the print and playful approach to traditional still life drawing is characteristic of the series which contrasts with the mechanical aesthetic of his earlier work, such as the Campbell’s Soup series.

In this print, Warhol subverts traditional still life drawing with his Pop Art aesthetic. This experimentation reflects the development of his career from starting out as a freelance commercial illustrator for fashion magazines such as Glamour, Vogue and Harper’s Bazaar in the 1950s. In this series, Warhol returns to depicting inanimate objects, however these gemstones are significantly more glamorous than the shoes and everyday fashion accessories he started off drawing.

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