£35,000-£50,000Value
Indicator
$70,000-$100,000 Value Indicator
$60,000-$90,000 Value Indicator
¥320,000-¥450,000 Value Indicator
€40,000-€60,000 Value Indicator
$350,000-$500,000 Value Indicator
¥6,520,000-¥9,310,000 Value Indicator
$45,000-$60,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Format: Signed Print
Year: 1978
Size: H 76cm x W 102cm
Edition size: 20
Signed: Yes
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Andy Warhol's Gems (F. & S. II.88) (signed) is a screenprint from 1978, estimated to be worth between £35,000 to £50,000. This artwork has seen a total of 3 sales at auction to date, with the first sale recorded on 4th May 2010. The hammer price in the last five years was £24,421 on 11th November 2020. The average return to the seller over this period has been £20,758, with an average annual growth rate of 6%. The edition size of this artwork is limited to just 20.
Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
November 2020 | Doyle New York - United States | Gems (F. & S. II.88) - Signed Print | |||
May 2010 | Bonhams San Francisco - United States | Gems (F. & S. II.88) - Signed Print | |||
May 2010 | Bonhams San Francisco - United States | Gems (F. & S. II.88) - Signed Print |
Printed in 1978, Gems (F. & S. II.88) is a signed screen print in colour on Strathmore Bristol paper by Andy Warhol. The print depicts a large emerald, a precious gem that is emblematic of wealth and glamour. The print is rendered in green and pink against a peach-coloured backdrop. The gem occupies the centre of the composition, with a pink shadow that encapsulates Warhol’s playful use of colour. Black gestural lines are used to add dimensions to the gemstone, making the print more dynamic.
Gems (F. & S. II.88) is part of the Gems series. This series is composed of four prints, each one depicting a precious gemstone. Warhol himself was an avid jewellery collector, however his impressive jewellery collection was not discovered until after his death in 1987. The series was produced towards the end of Warhol’s career and marks his expressive turn. The experimental use of lines and colour in the print and playful approach to traditional still life drawing is characteristic of the series which contrasts with the mechanical aesthetic of his earlier work, such as the Campbell’s Soup series.
In this print, Warhol subverts traditional still life drawing with his Pop Art aesthetic. This experimentation reflects the development of his career from starting out as a freelance commercial illustrator for fashion magazines such as Glamour, Vogue and Harper’s Bazaar in the 1950s. In this series, Warhol returns to depicting inanimate objects, however these gemstones are significantly more glamorous than the shoes and everyday fashion accessories he started off drawing.