Saint Apollonia (F. & S. II.332)
Saint Apollonia (F. & S. II.332)
Signed Print
Andy Warhol
£6,000-£9,000
$12,500-$19,000 Value Indicator
$11,000-$16,000 Value Indicator
¥60,000-¥90,000 Value Indicator
€7,000-€10,500 Value Indicator
$60,000-$90,000 Value Indicator
¥1,120,000-¥1,690,000 Value Indicator
$8,000-$11,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1984
Size: H 76cm x W 56cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2024 | Sotheby's London | United Kingdom | |||
| January 2024 | Phillips London | United Kingdom | |||
| September 2023 | Sotheby's London | United Kingdom | |||
| March 2023 | Sotheby's Online | United Kingdom | |||
| June 2022 | Ketterer Kunst Hamburg | Germany | |||
| September 2021 | Sotheby's Online | United Kingdom | |||
| November 2019 | Lempertz, Cologne | Germany |
Meaning & Analysis
Saint Apollonia (F. & S. II.332) is a signed screen print made by the ‘Father of Pop Art’, Andy Warhol. Produced in 1984, this print comes in an edition size of 250 and depicts the martyr, Saint Apollonia, who was tortured by Alexandrian mobs during the uprisings against Christians in Egypt in the 2nd century. The image is inspired by the portrait of the saint made by Italian painter Piero Della Francesca in the 15th century. The original painting hangs in the National Gallery in Washington D.C.
Saint Apollonia is rendered in a variety of cool blue tones and she is set against an earthy backdrop. Warhol uses thick blue lines to delineate the woman, a characteristic element of the artist’s visual style. Saint Apollonia (F. & S. II.332) is one of four prints in the Saint Apollonia collection, all of which depict the saint in the same pose, inspired by Francesca’s impressive painting.
Although Warhol uses a variety of bright and bold colours throughout the Saint Apollonia collection, the colours are more muted in comparison with his other artworks, such as his portraits of Marilyn Monroe. Warhol often transforms images by applying colour in broad strokes and misaligning layers to contort the image. In this collection, however, the original image remains recognisable. Warhol’s honours Francesca’s original paintings, and even preserves the cracks from the original which brings an interesting texture to these prints.
