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Copenhagen
Editions

Antony Gormley's Copenhagen Editions, a series of lithograph prints from 2007, showcases an exploration of human forms within spatial constructs. The series blends abstract and figurative elements to interrogate the relationship between the human body and its surrounding environment.

Copenhagen Editions Value (5 Years)

With £5550 in the past 12 months, Antony Gormley's Copenhagen Editions series is one of the most actively traded in the market. Prices have varied significantly – from £380 to £11000 – driven by fluctuations in factors like condition, provenance, and market timing. Over the past 12 months, the average selling price was £1110, with an average annual growth rate of 0.0% across the series.

Copenhagen Editions Market value

Annual Sales

Auction Results

ArtworkAuction
Date
Auction
House
Return to
Seller
Hammer
Price
Buyer
Paid
5 Sept 2024
David Lay
£723
£850
£1,000
5 Sept 2024
David Lay
£680
£800
£950
31 Jul 2024
Forum Auctions London
£1,020
£1,200
£1,500
14 Mar 2023
Sotheby's London
£4,250
£5,000
£7,000
20 Jan 2022
Phillips London
£2,380
£2,800
£3,800
16 Mar 2021
Sotheby's London
£2,380
£2,800
£3,800
23 Sept 2020
Christie's London
£8,925
£10,500
£14,000
10 Sept 2020
Phillips London
£2,975
£3,500
£4,750

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Meaning & Analysis

The Copenhagen Editions delve into the spatial dynamics and abstract representations of the body, using lithography to articulate Gormley’s insights into human existence and spatial interaction.

The series features a range of approaches to depicting the human figure, from the starkly abstract Clearing II, which resembles tangled webs or neural networks, to more defined figures such as the human form in Bodies In Space (Black). These variations address the complexity of human presence in space, suggesting both the physical and metaphysical extensions of the body.

Gormley employs lithography with a deftness that allows for intricate shading and texture, which imbues the figures with a sense of weight and gravity. The choice of black and white tones in many of the prints, such as Bodies In Space (Black) and Bodies In Space (White), emphasises the interplay of presence and absence, visibility and obscurity.

The series probes the interaction between individual bodies and broader environmental or architectural contexts. Artworks like Breathing Room and Field depict environments that are simultaneously internal and external, inviting viewers to consider their own bodily boundaries and spatial relations.