£7,000-£11,000
$13,500-$21,000 Value Indicator
$12,500-$20,000 Value Indicator
¥60,000-¥100,000 Value Indicator
€8,500-€13,000 Value Indicator
$70,000-$110,000 Value Indicator
¥1,370,000-¥2,150,000 Value Indicator
$9,000-$14,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 500
Year: 2004
Size: H 56cm x W 76cm
Signed: No
Format: Unsigned Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
April 2024 | Forum Auctions London - United Kingdom | Napalm - Unsigned Print | |||
April 2024 | Phillips London - United Kingdom | Napalm - Unsigned Print | |||
January 2024 | Forum Auctions London - United Kingdom | Napalm - Unsigned Print | |||
July 2023 | SBI Art Auction - Japan | Napalm - Unsigned Print | |||
May 2023 | Forum Auctions London - United Kingdom | Napalm - Unsigned Print | |||
April 2023 | Sotheby's Online - United Kingdom | Napalm - Unsigned Print | |||
February 2023 | Forum Auctions London - United Kingdom | Napalm - Unsigned Print |
Banksy's Napalm is a 2004 screen print limited to an unsigned edition of 500. It reworks Nick Ut's "The Terrors of War" photo, showing Mickey Mouse and Ronald McDonald holding a young girl whose village was napalmed. The piece satirizes corporations, transforming the original's war imagery into an unsettling ambiguity.
Napalm is undoubtedly one of Banksy’s most powerful, hard-hitting works, cementing his position as one of the pioneering political contemporary artists. Napalm is a three colour screen print and was released as an unsigned edition of 600. The work reference depicts the photograph taken during the Vietnam War, showing a nine year-old-girl (Kim Phuc) running from the horror of a Napalm blast. The moment was captured by photographer Nick Ut. Banksy took the photograph as his context for creating a disarming juxtaposition – we have two supposedly friendly American icons of consumerism (Ronald McDonald and Mickey Mouse), smiling as they lead the terrorised girl away from a disaster. This artwork is a quintessential and especially strong formulation of Banksy’s critique of the military-industrialist complex, linking violent conflict and capitalism. This is also demonstrated in other works like Bomb Hugger and Happy Choppers.
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