Napalm
Napalm
Unsigned Print
Banksy
£10,000-£14,500
$21,000-$30,000 Value Indicator
$19,000-$27,000 Value Indicator
¥100,000-¥140,000 Value Indicator
€12,000-€17,000 Value Indicator
$110,000-$150,000 Value Indicator
¥1,940,000-¥2,810,000 Value Indicator
$13,500-$20,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 500
Year: 2004
Size: H 56cm x W 76cm
Signed: No
Format: Unsigned Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2025 | Bukowskis, Stockholm | Sweden | |||
| April 2025 | Rosebery's Fine Art Auctioneers | United Kingdom | |||
| March 2025 | Forum Auctions London | United Kingdom | |||
| October 2024 | Forum Auctions London | United Kingdom | |||
| October 2024 | Christie's London | United Kingdom | |||
| April 2024 | Forum Auctions London | United Kingdom | |||
| April 2024 | Phillips London | United Kingdom |
Meaning & Analysis
Banksy's Napalm is a 2004 screen print limited to an unsigned edition of 500. It reworks Nick Ut's "The Terrors of War" photo, showing Mickey Mouse and Ronald McDonald holding a young girl whose village was napalmed. The piece satirizes corporations, transforming the original's war imagery into an unsettling ambiguity.
Napalm is undoubtedly one of Banksy’s most powerful, hard-hitting works, cementing his position as one of the pioneering political contemporary artists. Napalm is a three colour screen print and was released as an unsigned edition of 600. The work reference depicts the photograph taken during the Vietnam War, showing a nine year-old-girl (Kim Phuc) running from the horror of a Napalm blast. The moment was captured by photographer Nick Ut. Banksy took the photograph as his context for creating a disarming juxtaposition – we have two supposedly friendly American icons of consumerism (Ronald McDonald and Mickey Mouse), smiling as they lead the terrorised girl away from a disaster. This artwork is a quintessential and especially strong formulation of Banksy’s critique of the military-industrialist complex, linking violent conflict and capitalism. This is also demonstrated in other works like Bomb Hugger and Happy Choppers.
