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La Lune En Rodage Signed Print
Bridget Riley: La Lune En Rodage - Signed Print

La Lune En Rodage

Bridget Riley

La Lune En Rodage - Signed Print by Bridget Riley 1965 - MyArtBroker

La Lune En Rodage
Signed Print

Bridget Riley

£11,500-£17,000 VALUE (EST.)

$22,000-$35,000 VALUE (EST.)

$20,000-$29,000 VALUE (EST.)

¥110,000-¥160,000 VALUE (EST.)

€13,500-€20,000 VALUE (EST.)

$110,000-$170,000 VALUE (EST.)

¥2,120,000-¥3,130,000 VALUE (EST.)

$14,500-$21,000 VALUE (EST.)

4% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1965
Signed Print Edition of 200
H 30cm x W 29cm

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3 in network
4 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2023Phillips London - United KingdomLa Lune En Rodage - Signed Print
March 2023Sotheby's Online - United KingdomLa Lune En Rodage - Signed Print
September 2022Sotheby's Online - United KingdomLa Lune En Rodage - Signed Print
March 2022Sotheby's Online - United KingdomLa Lune En Rodage - Signed Print
February 2022Christie's New York - United StatesLa Lune En Rodage - Signed Print
September 2021Sotheby's Online - United KingdomLa Lune En Rodage - Signed Print
July 2021Forum Auctions London - United KingdomLa Lune En Rodage - Signed Print

Meaning & Analysis

La Lune En Rodage is a black and white screen print executed by British artist Bridget Riley in 1965 from an edition edition run of 200, with an additional 20 artist proofs. It is composed simply of black horizontal lines of equal length, yet, in true Riley fashion, the effects of such simplicity are complex. The lines, as they move from top to bottom, slowly merge from being concave to convex. Consequently, the black lines appear to oscillate, like waves, across the surface of the print.

Read more about Bridget Riley Prints & Editions

Enacted with geometrical precision, Riley creates compelling visual effects that play with one’s vision and implore the viewer to question what they are looking at. During her career, Riley has experimented with simple, structural units in varying configurations, to explore the physical and psychological responses of the eyes. Throughout this, Riley’s artistic motivation has remained the same: to interrogate what and how we see things. La Lune En Rodage is, if anything, abundantly aware of being nothing more than the geometry of the paper’s flat surface.

Executed in 1965, this work is from a critical period in Riley’s decades-long career. Following the artist’s inclusion in The Responsive Eye, an exhibition at the Museum of Modern Art in New York, Riley gained international acclaim for exclusively monochromatic works that played optical tricks on the eye: of which La Lune En Rodage is a prime example.

Read more about Bridget Riley Prints & Editions

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