Modern British Prints Market Report 2023
Untitled, Oval Image - Signed Print by Bridget Riley 1964 - MyArtBroker

Untitled, Oval Image
Signed Print

Bridget Riley

£40,000-£60,000Value
Indicator

$80,000-$110,000 Value Indicator

$70,000-$100,000 Value Indicator

¥360,000-¥540,000 Value Indicator

45,000-70,000 Value Indicator

$390,000-$590,000 Value Indicator

¥7,280,000-¥10,910,000 Value Indicator

$50,000-$80,000 Value Indicator

13% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Format: Signed Print

Year: 1964

Size: H 75cm x W 34cm

Edition size: 50

Signed: Yes

TradingFloor

1 in network
Jasper Tordoff
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Bridget Riley's Untitled, Oval Image (signed) from 1964 is a screenprint estimated to be worth between £40,000 to £60,000. This artwork has had a total of 2 sales at auction since its first sale on 29th March 2004. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2010Stair Galleries - United StatesUntitled, Oval Image - Signed Print
March 2004Bonhams New Bond Street - United KingdomUntitled, Oval Image - Signed Print

Meaning & Analysis

This print is one of the earlier works made by Riley, created before the artist had achieved critical, international acclaim. Riley rose to fame following a display of several of her black and white prints, much like Untitled, Oval Image. The works were displayed at the Museum of Modern Art in New York in 1965 as part of their Representative Eye exhibition. People were captivated by Riley’s use of black and white and the way in which the artist was able to produce optically dazzling, psychedelic works which, at times, seemed like optical illusions.

Riley’s early works are characterised by a limited colour palette, with the artist privileging black and white. When seen alongside some of Riley’s later works, this print captures the development of Riley’s visual language and artistic style. Riley began experimenting with colour in the late 1960s and the artist became fascinated with the way in which colour can have an impact on perceptions and emotions. Unlike her early works, colour is an important element of Riley’s later artistic endeavours.

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