Elongated Triangles 4
Elongated Triangles 4
Signed Print
Bridget Riley
£11,000-£17,000
$21,000-$35,000 Value Indicator
$20,000-$30,000 Value Indicator
¥100,000-¥160,000 Value Indicator
€13,000-€20,000 Value Indicator
$110,000-$170,000 Value Indicator
¥2,240,000-¥3,460,000 Value Indicator
$14,000-$22,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 1971
Size: H 103cm x W 42cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2023 | Forum Auctions London - United Kingdom | Elongated Triangles 4 - Signed Print | |||
| October 2022 | Cheffins - United Kingdom | Elongated Triangles 4 - Signed Print | |||
| March 2022 | Sotheby's Online - United Kingdom | Elongated Triangles 4 - Signed Print | |||
| July 2020 | Sotheby's London - United Kingdom | Elongated Triangles 4 - Signed Print | |||
| April 2020 | Leonard Joel, Melbourne - Australia | Elongated Triangles 4 - Signed Print | |||
| November 2009 | Swann Auction Galleries - United States | Elongated Triangles 4 - Signed Print | |||
| April 2006 | Bonhams San Francisco - United States | Elongated Triangles 4 - Signed Print |
Meaning & Analysis
Released in 1971 in an edition of 75, Elongated Triangles 4 is one in a series of 6 prints. This print is a significant work in Bridget Riley’s oeuvre, demonstrating the inspiration Riley took from Georges Seurat’s Bridge of Courbevoie, which Riley studied meticulously for two years, noting how varying colour combinations create a sense of movement when perceived by the eye. Unquestionably, this is precisely what Riley is endeavouring to explore in this work, with electrifying colour combinations that dazzle and mesmerise.
The stability of Riley’s solid, horizontal lines are integral to the study of colour, which is inherently unstable, since the perception of colour is variable on external factors such as light and surrounding colours. The eye, when looking at one line of colour, perceives a hint of the next colour, creating a sense of movement and vibration. Here, rather than selecting just two colours, Riley has created a rainbow effect of three pastel hues, which darken in tone at alternating ends. Conceived from countless decisions regarding structure, scale, colour and composition, Riley’s works are mathematically precise and Elongated Triangles 4 is no exception.
