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Fight Club - Signed Print by Conor Harrington 2013 - MyArtBroker

Fight Club
Signed Print

Conor Harrington

£4,150-£6,000 Value Indicator

$8,000-$11,500 Value Indicator

$7,000-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

4,800-7,000 Value Indicator

$40,000-$60,000 Value Indicator

¥760,000-¥1,090,000 Value Indicator

$5,000-$7,500 Value Indicator

11% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Giclée print, 2013
Signed Print Edition of 45
H 100cm x W 119cm

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1 in network
14 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
March 2023Tate Ward Auctions - United KingdomFight Club - Signed Print
July 2022Tate Ward Auctions - United KingdomFight Club - Signed Print
March 2022Tate Ward Auctions - United KingdomFight Club - Signed Print

Meaning & Analysis

Harrington had previously explored the figure of warrior in his 2012 print Belfast Warrior, depicting an ambiguous figure that hovers between the violence associated with the act of sword fighting and lightness of the dancer’s movement. Here, the duel that comes to the fore in the print is much more pronounced in its vehement undertone. In contrast to Belfast Warrior, the background surrounding the two men is not neutral. A blue United Nations flag appears in the background alongside a red flag. The blue and red flags were key to Harrington’s engagement with the idea of patriotism in his 2018 exhibition The Story of Us and Them and here they signalise the sense of division arising from the differing national sentiments.

Emphasising the mundane suffering, the presence of dead animal bodies on the left side of the print encapsulates Harrington’s acute examination of modern life, its power dynamics, and paradoxes. The artist commented in the context of questions that drive his art: "I'm interested in empire and cycles of power and how we're seeing a shift away from European dominance. I'm also interested in how today's culture is obsessed with consumerism so the dead animals in these paintings are a metaphor for waste and excess."

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