5 Year Print Market Review 2023
Deux (Second Part) - Signed Print by David Hockney 1991 - MyArtBroker

Deux (Second Part)
Signed Print

David Hockney

£18,000-£27,000 VALUE (EST.)

$30,000-$45,000 VALUE (EST.)

$30,000-$45,000 VALUE (EST.)

¥150,000-¥230,000 VALUE (EST.)

20,000-30,000 VALUE (EST.)

$170,000-$260,000 VALUE (EST.)

¥2,890,000-¥4,330,000 VALUE (EST.)

$22,000-$35,000 VALUE (EST.)

This estimate blends recent public auction records with our own private sale data and network demand.

Lithograph, 1991
Signed Print Edition of 35

Celine Fraser

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
Sotheby's Online - United KingdomDeux (Second Part) - Signed Print
Sotheby's Online - United KingdomDeux (Second Part) - Signed Print
Sotheby's Online - United KingdomDeux (Second Part) - Signed Print
October 2019Christie's New York - United StatesDeux (Second Part) - Signed Print
October 2017Phillips New York - United StatesDeux (Second Part) - Signed Print
May 2008Bonhams San Francisco - United StatesDeux (Second Part) - Signed Print
April 2008Christie's New York - United StatesDeux (Second Part) - Signed Print

Meaning & Analysis

Deux (Second Part) is the second in a series of three prints all of which present a similar composition of abstract forms in varying colour combinations. The overall colour palette of Deux (Second Part) is darker than that of Tres (End of Triple), yet the composition remains the same. However, as the colours of the intertwining planes and forms have now changed, the sense of volume and space has likewise changed. The forms comprising the composition are angular and fragmented, which is typical of Cubism: an artistic style that was no doubt of inspiration to Hockney when composing this series. Reducing his subject matter to interlocking planes and geometric shapes, to a non-representational degree of abstraction, Hockney’s Deux (Second Part) is reminiscent of Georges Braques cubist works of towns and villages in France during the early 20th century. Additionally, Deux (Second Part) and its corresponding series, confirms Hockney’s limitless scope for experimentation and creativity, which spans his whole career and artistic output.

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