5 Year Print Market Review 2023
Très (End Of Triple) - Signed Print by David Hockney 1990 - MyArtBroker

Très (End Of Triple)
Signed Print

David Hockney

£13,500-£20,000 VALUE (EST.)

$25,000-$35,000 VALUE (EST.)

$23,000-$35,000 VALUE (EST.)

¥110,000-¥170,000 VALUE (EST.)

15,000-23,000 VALUE (EST.)

$130,000-$190,000 VALUE (EST.)

¥2,180,000-¥3,220,000 VALUE (EST.)

$16,000-$24,000 VALUE (EST.)

72% AAGR

This estimate blends recent public auction records with our own private sale data and network demand.

Lithograph, 1990
Signed Print Edition of 50
H 123cm x W 91cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
January 2023Phillips London - United KingdomTrès (End Of Triple) - Signed Print
October 2019Van Ham Fine Art Auctions - GermanyTrès (End Of Triple) - Signed Print
January 2019Phillips London - United KingdomTrès (End Of Triple) - Signed Print
April 2018Cornette de Saint Cyr Paris - FranceTrès (End Of Triple) - Signed Print
April 2016Christie's New York - United StatesTrès (End Of Triple) - Signed Print
April 2006Sotheby's New York - United StatesTrès (End Of Triple) - Signed Print
October 2005Bonhams New Bond Street - United KingdomTrès (End Of Triple) - Signed Print

Meaning & Analysis

Très (End of Triple), the last in a series of three prints, presents a similar composition composed of abstract forms to the two preceding it, yet in varying colour combinations. Seemingly non-representational in its degree of abstraction, the irregular shapes comprising Très (End of Triple) do seem to be derived from recognisable sources. Yet, although appearing unrelated to the natural world, Hockney is depicting a lake and river, which snakes unnaturally about the painting. For example, in the lower third of the composition, there are sailboats sailing on a lake, with a white picket fence surrounding it. Hockney has undoubtedly been influenced by Cubism masters Pablo Picasso and Georges Braque in the creation of the Eine, Deux, Très series. This is most clearly seen in the adoption of multiple-point perspective, enabling the viewer to feel as if they are moving around within the painting. Through utilising various intertwining and rigid planes, Hockney has created the illusion of volume and space, much like the Cubist masters skillfully did.

More from the series

Eine (First Part) - Signed Print by David Hockney 1991 - MyArtBroker
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£13,500-£20,000 VALUE (EST.)

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¥2,180,000-¥3,220,000 VALUE (EST.)

$16,000-$24,000 VALUE (EST.)

32% AAGR

TradingFloor

3 in network
1 want this

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