£13,500-£20,000 VALUE (EST.)
$25,000-$35,000 VALUE (EST.)
$23,000-$35,000 VALUE (EST.)
¥110,000-¥170,000 VALUE (EST.)
€15,000-€23,000 VALUE (EST.)
$130,000-$190,000 VALUE (EST.)
¥2,180,000-¥3,220,000 VALUE (EST.)
$16,000-$24,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Signed Print Edition of 50
H 123cm x W 91cm
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Celine Fraser, Specialist
|Auction Date||Auction House||Artwork|
Return to Seller
|January 2023||Phillips London - United Kingdom||Très (End Of Triple) - Signed Print|
|October 2019||Van Ham Fine Art Auctions - Germany||Très (End Of Triple) - Signed Print|
|January 2019||Phillips London - United Kingdom||Très (End Of Triple) - Signed Print|
|April 2018||Cornette de Saint Cyr Paris - France||Très (End Of Triple) - Signed Print|
|April 2016||Christie's New York - United States||Très (End Of Triple) - Signed Print|
|April 2006||Sotheby's New York - United States||Très (End Of Triple) - Signed Print|
|October 2005||Bonhams New Bond Street - United Kingdom||Très (End Of Triple) - Signed Print|
Tres (End of Triple), is a lithograph in colours executed in 1990 in an edition of 35. Executed by the much loved British artist David Hockney.
Très (End of Triple), the last in a series of three prints, presents a similar composition composed of abstract forms to the two preceding it, yet in varying colour combinations. Seemingly non-representational in its degree of abstraction, the irregular shapes comprising Très (End of Triple) do seem to be derived from recognisable sources. Yet, although appearing unrelated to the natural world, Hockney is depicting a lake and river, which snakes unnaturally about the painting. For example, in the lower third of the composition, there are sailboats sailing on a lake, with a white picket fence surrounding it. Hockney has undoubtedly been influenced by Cubism masters Pablo Picasso and Georges Braque in the creation of the Eine, Deux, Très series. This is most clearly seen in the adoption of multiple-point perspective, enabling the viewer to feel as if they are moving around within the painting. Through utilising various intertwining and rigid planes, Hockney has created the illusion of volume and space, much like the Cubist masters skillfully did.