Maurice Payne
Maurice Payne
Signed Print
David Hockney
£3,750-£5,500
$7,500-$10,500 Value Indicator
$6,500-$10,000 Value Indicator
¥35,000-¥50,000 Value Indicator
€4,450-€6,500 Value Indicator
$40,000-$60,000 Value Indicator
¥760,000-¥1,120,000 Value Indicator
$4,900-$7,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 75
Year: 1971
Size: H 90cm x W 71cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2023 | Sotheby's Online - United Kingdom | Maurice Payne - Signed Print | |||
| September 2022 | Phillips London - United Kingdom | Maurice Payne - Signed Print | |||
| September 2021 | Galerie Kornfeld - Germany | Maurice Payne - Signed Print | |||
| September 2019 | Christie's London - United Kingdom | Maurice Payne - Signed Print | |||
| September 2019 | Christie's London - United Kingdom | Maurice Payne - Signed Print | |||
| April 2019 | Sotheby's New York - United States | Maurice Payne - Signed Print | |||
| April 2013 | Ketterer Kunst Hamburg - Germany | Maurice Payne - Signed Print |
Meaning & Analysis
This signed print by British artist David Hockney was produced in 1971 and is a limited edition of 75. Depicting Hockney’s long-term friend and collaborator, Maurice Payne, it constitutes an etching printed onto J Green mould-made paper.
An edition of 75, Maurice Payne is a signed print by much-loved British artist David Hockney. The etching was produced in 1971, a year in which Hockney completed some of his most well-known paintings, such as Mr. And Mrs. Clark And Percy, Portrait Of Sir. David Webster, and Sur La Terrasse. Travelling widely, to destinations such as Morocco, Southwest France, Hawaii and even Japan, 1971 also saw Hockney use etching and printmaking techniques to depict those around him, as in Mo Asleep: an intaglio print depicting his long-serving assistant, Mo McDermott, asleep on a patterned deckchair. Here, Hockney turns to another friend and artistic collaborator – the master printer, Maurice Payne. Having assisted Hockney in printing many of his etching works, Payne is quite literally inscribed into the printmaking process. As such, Hockney constructs a visual tribute to the print maker, without whom many of his etchings, such as such as An Erotic Etching (1975), would not have been converted into finished works. With unparalleled precision, Hockney offers up a side profile of Payne, who is sat in a simple chair – a subject the artist would go on to depict time and time again in his Photo Collages, and in the well-known painting Gauguin’s Chair (1988). With his arms crossed across his stomach, Payne emits a sense of stillness, his dark hair brought out in a series of rough and jagged lines which contrast with his figure.
