Lithograph Of Water Made Of Lines, Crayon And A Blue Wash
Lithograph Of Water Made Of Lines, Crayon And A Blue Wash
Signed Print
David Hockney
£60,000-£90,000
$130,000-$190,000 Value Indicator
$110,000-$160,000 Value Indicator
¥570,000-¥850,000 Value Indicator
€70,000-€100,000 Value Indicator
$600,000-$900,000 Value Indicator
¥11,200,000-¥16,810,000 Value Indicator
$80,000-$120,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 48
Year: 1980
Size: H 76cm x W 87cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2021 | Christie's New York | United States | |||
| April 2021 | Christie's New York | United States | |||
| November 2012 | Sotheby's New York | United States | |||
| April 2005 | Bonhams San Francisco | United States |
Meaning & Analysis
Lithograph Of Water Made Of Lines, Crayon And A Blue Wash by David Hockney, created between 1978 and 1980, is a lithograph on TGL handmade paper. Measuring 75.6 x 87.6 cm, this artwork depicts a swimming pool using a combination of lines, crayon, and blue wash. It is part of Hockney's renowned pool series, showcasing his exploration of light, texture, and movement in water
The artwork employs a meticulous interplay of lines and washes to capture the essence of a swimming pool. Hockney uses crayon to create texture and depth, while the blue wash evokes the translucency of water. The lines, varying in thickness and density, suggest ripples and reflections on the water's surface, conveying a sense of movement.
This piece is significant within Hockney's oeuvre as it demonstrates his ongoing exploration of representing three-dimensional space and movement on a two-dimensional surface. The lithograph's technique reflects Hockney's experimentation with different printmaking methods during this period, pushing the boundaries of what could be achieved with the medium. The resulting work showcases Hockney's ability to distil complex visual information into a deceptively simple composition, offering viewers a unique perspective on the interplay of light and water.
