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Water Pouring Into Swimming Pool, Santa Monica Signed Print
David Hockney: Water Pouring Into Swimming Pool, Santa Monica - Signed Print

Water Pouring Into Swimming Pool, Santa Monica

David Hockney

Water Pouring Into Swimming Pool, Santa Monica - Signed Print by David Hockney 1964 - MyArtBroker

Water Pouring Into Swimming Pool, Santa Monica
Signed Print

David Hockney

£19,000-£29,000 VALUE (EST.)

$35,000-$60,000 VALUE (EST.)

$30,000-$50,000 VALUE (EST.)

¥170,000-¥260,000 VALUE (EST.)

€22,000-€35,000 VALUE (EST.)

$180,000-$280,000 VALUE (EST.)

¥3,480,000-¥5,310,000 VALUE (EST.)

$24,000-$35,000 VALUE (EST.)

13% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1964
Signed Print Edition of 75
H 52cm x W 67cm

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4 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2023Bonhams New Bond Street - United KingdomWater Pouring Into Swimming Pool, Santa Monica - Signed Print
November 2020Wilson55 - United KingdomWater Pouring Into Swimming Pool, Santa Monica - Signed Print
September 2016Sotheby's Online - United KingdomWater Pouring Into Swimming Pool, Santa Monica - Signed Print
October 2012Wright - United StatesWater Pouring Into Swimming Pool, Santa Monica - Signed Print
February 2012Christie's London - United KingdomWater Pouring Into Swimming Pool, Santa Monica - Signed Print
April 2011Bonhams New Bond Street - United KingdomWater Pouring Into Swimming Pool, Santa Monica - Signed Print
December 2000Christie's London - United KingdomWater Pouring Into Swimming Pool, Santa Monica - Signed Print

Meaning & Analysis

Unlike many of Hockney’s other depictions of pools, this work fails to show the actual body of water itself and instead focuses on the pipes that fill it. Here they are presented at various angles, appearing like a fountain or elaborate water feature in a garden. Out of each pipe gushes out water of varying qualities, one stream is spiralled like the tusk of a narwhal or a merry go round pole, another is a thin transparent stream, while the middle one emits a kind of thick spray. In this way the work becomes a study of water itself and the way it interacts with light and air. Using lithography as his chosen medium, Hockney pushes the limit of mark making to explore these different qualities and to present a harmonious composition which is united by its difference. Made in 1964 the work dates to the same year Hockney moved to LA from London and perhaps marks the beginning of his fascination with water and light which characterises much of the work he produced in the west coast city. He was first attracted to the sharp light of Hollywood movies and the move had such a monumental effect on his outlook and direction as an artist that he later compared it to ‘Van Gogh going to Arles’.

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