Name: Red Flowers And Green Leaves, Separate, May 1988
Brand: David Hockney
Rating: 5 (254 reviews)

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British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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Red Flowers And Green Leaves, Separate, May 1988

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A still life with a difference, Red Flowers And Green Leaves, Separate, May 1988 shows Hockney doing what he does best, experimenting with new mediums. After working extensively across etching and lithography, in 1986 he turned to the photocopier to produce a series of prints that would become known as Home Made Prints. Playing with layers, colours and textures, Hockney was able to recreate the multifacetedness of techniques such as screen printing to create dynamic works that comprise some of his favourite subjects, including flowers, interiors, and of course, the still life. Here we find a vase that resembles a straight edged volcano holding three exuberant blooms in various shades of red and pink. Alongside it sits a simple straight pot, which holds a plant that is composed of eight unconnected leaves. Beyond the vessels, the background and surface becomes abstract as planes of colour come together to form a bright and yet slightly surreal scene. With this shift into digital printing we can see evidence of Hockney’s unfailing ability to take on new mediums and techniques, for which he shows a relentless enthusiasm that continues to this day through his prolific output of iPad drawings.

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 shows Hockney doing what he does best, experimenting with new mediums. After working extensively across etching and lithography, in 1986 he turned to the photocopier to produce a series of prints that would become known as 

. Playing with layers, colours and textures, Hockney was able to recreate the multifacetedness of techniques such as screen printing to create dynamic works that comprise some of his favourite subjects, including flowers, interiors, and of course, the still life. Here we find a vase that resembles a straight edged volcano holding three exuberant blooms in various shades of red and pink. Alongside it sits a simple straight pot, which holds a plant that is composed of eight unconnected leaves. Beyond the vessels, the background and surface becomes abstract as planes of colour come together to form a bright and yet slightly surreal scene. With this shift into digital printing we can see evidence of Hockney’s unfailing ability to take on new mediums and techniques, for which he shows a relentless enthusiasm that continues to this day through his prolific output of iPad drawings.

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Red Flowers And Green Leaves, Separate, May 1988

Red Flowers And Green Leaves, Separate, May 1988
Signed Print

David Hockney

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Red Flowers And Green Leaves, Separate, May 1988

Red Flowers And Green Leaves, Separate, May 1988Signed Print

David Hockney

Featured reports

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Red Flowers And Green Leaves, Separate, May 1988
Signed Print