£13,500-£20,000Value
Indicator
$26,000-$40,000 Value Indicator
$23,000-$35,000 Value Indicator
¥120,000-¥180,000 Value Indicator
€16,000-€23,000 Value Indicator
$130,000-$200,000 Value Indicator
¥2,460,000-¥3,640,000 Value Indicator
$17,000-$25,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Photographic print
Format: Signed Print
Year: 1994
Size: H 79cm x W 99cm
Edition size: 25
Signed: Yes
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David Hockney’s Painted Environment III, a stunning photographic print signed by the artist himself, is estimated to be worth between £15,000 to £23,000. This rare artwork has only seen 3 sales at auction to date, with the first sale taking place on 28th April 2013. The artwork has been sold in countries as diverse as Israel and the United States. The hammer price has shown a remarkable range, from £7,312 in October 2019 to £17,938 in June 2023. The average return to the seller has been a robust £10,731, demonstrating an impressive average annual growth rate of 32%. The artwork's edition size is limited to just 25, making it a truly exclusive piece for discerning collectors.
Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
September 2023 | Bonhams Online - United Kingdom | Painted Environment III - Signed Print | |||
June 2023 | Tiroche - Israel | Painted Environment III - Signed Print | |||
October 2020 | SBI Art Auction - Japan | Painted Environment III - Signed Print | |||
October 2019 | Christie's New York - United States | Painted Environment III - Signed Print | |||
July 2019 | Christie's New York - United States | Painted Environment III - Signed Print | |||
April 2013 | Phillips New York - United States | Painted Environment III - Signed Print |
Painted Environment III, is a photographic print executed in 1994 in an edition of 25. Executed by the much loved British artist David Hockney, this is a digital inkjet print in colour.
In Painted Environment III, the canvas from the far-right of the composition in Painted Environment II, is now placed alone in the colourful, swirling room, where the walls and floor are a mass of abstracted forms. The reusing of artworks to construct different compositions confirms Hockney’s on-going preoccupation with the challenge of perspective and representation. In other words, Hockney has long been concerned with the challenge of how we perceive the world and how time and space can successfully be captured in two-dimensions. Hockney plays with the conventions of picture making in his Painted Environment series as paintings are captured by a digital medium: photography. Moreover, what is a three-dimensional set up, is ultimately rendered in a two-dimensional form. These intricacies and experiments with representation underpin Hockney’s practice and form the core of this series of prints.