1260 Farben (1260 Colours)
1260 Farben (1260 Colours)
Signed Print
Gerhard Richter
£19,000-£29,000 VALUE (EST.)
$35,000-$60,000 VALUE (EST.)
$30,000-$50,000 VALUE (EST.)
¥170,000-¥260,000 VALUE (EST.)
€22,000-€35,000 VALUE (EST.)
$180,000-$280,000 VALUE (EST.)
¥3,450,000-¥5,270,000 VALUE (EST.)
$23,000-$35,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Lithograph, 1974
Signed Print Edition of 75
H 58cm x W 76cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| Sotheby's London - United Kingdom | 1260 Farben (1260 Colours) - Signed Print | ||||
| June 2021 | Ketterer Kunst Hamburg - Germany | 1260 Farben (1260 Colours) - Signed Print | |||
| June 2021 | Lempertz, Cologne - Germany | 1260 Farben (1260 Colours) - Signed Print | |||
| April 2019 | Christie's New York - United States | 1260 Farben (1260 Colours) - Signed Print | |||
| February 2019 | Christie's New York - United States | 1260 Farben (1260 Colours) - Signed Print | |||
| May 2018 | Van Ham Fine Art Auctions - Germany | 1260 Farben (1260 Colours) - Signed Print | |||
| December 2015 | Ketterer Kunst Hamburg - Germany | 1260 Farben (1260 Colours) - Signed Print |
Meaning & Analysis
1260 Farben (1260 Colours) is a signed lithograph print by seminal German artist, Gerhard Richter. Issued in a limited edition of 75 in 1974, the print belongs to the artist’s Colour Charts series, which comprises colour-focused works completed during the 1970s.
Much like 9 Von 180 Farben (9 Of 180 Colours), this print is concerned with colour. Comprising 1260 blocks of individual, block colour, the work is arranged in a grid formation. Speaking to Richter’s sustained interest in ordered and procedural creative processes, the print’s composition imbues it with a conflicting sense of disorder nonetheless. Yellow tones, recognised first by the human eye, stand out from other areas of purple, black, and light blue, giving the work a sense of imbalance. This imbalance then disconnects the composition from its creator, pushing the viewer to wonder whether a machine was involved in its creation.
The intricacy of this mosaic-like piece recalls the rise of digital art in the 20th and 21st century - a movement that has seen artists turn towards and harness the creative possibilities afforded by computers. Although created by Richter during the 1970s, this work is testament to the continued importance of colourism, and the mosaic motif, to the artist’s monumental œuvre: its minimalist, grid-like arrangement of coloured blocks foretells of Richter’s window at Cologne Cathedral, created in 2007. This work, housed in one of the largest religious buildings in the world, comprises 11,500 individual ‘pixels’ and contrasts with the cathedral’s fiercely Prussian, gothic architecture. It is apparently concerned with the ‘non-representational nature of the Divine.’
