$30,000-$50,000 Value Indicator
$29,000-$45,000 Value Indicator
¥150,000-¥220,000 Value Indicator
€20,000-€29,000 Value Indicator
$170,000-$250,000 Value Indicator
¥3,160,000-¥4,650,000 Value Indicator
$21,000-$30,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Format: Signed Print
Size: H 147cm x W 147cm
Edition size: 50
KAWS' Ankle Bracelet (signed), a screenprint from 2017, is estimated to be worth between £17,000 to £25,000. This artwork has had a total of 4 sales at auction since its first sale on 8th June 2018. The hammer price has varied, with a range from £20,627 in July 2021 to a high of £37,405 in October 2020. The average return to the seller has been £22,717, despite an average annual growth rate of -12%. The edition size of this artwork is strictly limited to 50.
|Auction Date||Auction House||Artwork|
Return to Seller
|July 2021||Phillips Hong Kong - Hong Kong||Ankle Bracelet - Signed Print|
|July 2020||Phillips Hong Kong - Hong Kong||Ankle Bracelet - Signed Print|
|February 2020||Phillips London - United Kingdom||Ankle Bracelet - Signed Print|
|June 2018||Sotheby's Hong Kong - Hong Kong||Ankle Bracelet - Signed Print|
Ankle Bracelet is a signed screen print on Saunders Waterford High White paper made by the renowned American artist and designer, KAWS in 2017. The print depicts the outline of a cartoon character. Lacking any distinguishing features, it is difficult for the viewer to identify which character it is. KAWS fills the cartoon’s body with a set of distinctive graphics in bold and vibrant colours. Blues and reds dominate the composition, with splashes of pink, green and yellow.
The print is part of the Outlines collection, a body of works which all take the outline of a famous cartoon character which KAWS then fills with graphic patterns. When looked at closely, the viewer can see various signature features of KAWS’ visual language, such as crosses which the artist uses to block out the eyes of the cartoon characters he draws.
The works in the Outlines collection were produced in the late 2000s, a time in which KAWS was experimenting with the incorporation of television into his artworks. The artist was well known for creating his own stock of figurative characters, such as Companion, Chum, Bendy and Accomplice. However, in this collection, KAWS appropriates and adapts already well-known figures, imbuing them with his unique artistic style.