Chocolate Buddha 1
Chocolate Buddha 1
Signed Print
Keith Haring
£14,000-£21,000
$29,000-$45,000 Value Indicator
$26,000-$40,000 Value Indicator
¥140,000-¥200,000 Value Indicator
€16,000-€25,000 Value Indicator
$140,000-$220,000 Value Indicator
¥2,650,000-¥3,970,000 Value Indicator
$19,000-$28,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 90
Year: 1989
Size: H 49cm x W 64cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2022 | Bonhams Los Angeles | United States | |||
| April 2019 | Wright | United States | |||
| November 2015 | Sotheby's New York | United States | |||
| May 2014 | Freeman's | United States | |||
| May 2011 | Skinner, Boston | United States | |||
| June 1995 | Christie's Amsterdam | Netherlands |
Meaning & Analysis
Rendered in the Keith Haring's graphic, linear style, Chocolate Buddha 1 is a signed lithograph with a limited edition of 90 from the Chocolate Buddha series (1989). The print shows an image of an abstracted face in a symmetrical composition, with the figure’s arms raised above its head. Haring creates an all-over composition of pattern through the use of flattened picture plane and two contrasting colours, red and blue.
Chocolate Buddha 1 has a kinetic energy that is produced through Haring’s use of jarring colours and complex, intertwining patterns. There is an electric flow of line that is satisfying for the viewer to follow, emphasised by the print’s symmetrical composition. Haring’s print is reminiscent of Aztec or Aboriginal art through his use of flowing, organic shapes and thick bold lines to create a pattern that plays out across the image surface.
Explaining why many of his works resemble Aztec or Aboriginal art, Haring has said ‘My drawings don’t try to imitate life; they try to create life, to invent life,’ something that he believed aligned with so-called primitive ideas. Chocolate Buddha 1 is exemplary of this notion by forming a rhythmic, all-over composition that focuses on symmetry rather than realism. Thus, Haring produces a kinetic image that excites the viewer and transcends reality.
