5 Year Print Market Review 2023
Dog - Signed Print by Keith Haring 1985 - MyArtBroker

Dog
Signed Print

Keith Haring

£90,000-£140,000 VALUE (EST.)

$170,000-$270,000 VALUE (EST.)

$150,000-$230,000 VALUE (EST.)

¥800,000-¥1,250,000 VALUE (EST.)

100,000-160,000 VALUE (EST.)

$860,000-$1,340,000 VALUE (EST.)

¥16,340,000-¥25,410,000 VALUE (EST.)

$110,000-$170,000 VALUE (EST.)

21% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1985
Signed Print Edition of 40
H 116cm x W 90cm

TradingFloor

1 in network
3 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2022Phillips London - United KingdomDog - Signed Print
April 2021Sotheby's New York - United StatesDog - Signed Print
June 2019Phillips London - United KingdomDog - Signed Print
December 2018Lempertz, Cologne - GermanyDog - Signed Print
October 2017Phillips New York - United StatesDog - Signed Print
April 2017Sotheby's New York - United StatesDog - Signed Print
October 2013Christie's New York - United StatesDog - Signed Print

Meaning & Analysis

The barking dog has become an iconic symbol created by Haring, first appearing in his Subway Drawings series from 1980-1985. Emerging as a symbol to represent authoritarian government, abuse of power and oppressive regimes, this print speaks to the way in which Haring warns the viewer of those in power throughout much of his oeuvre. Haring repurposes the playful motif of the dog, a symbol used throughout art history to represent loyalty, companionship and obedience, to remind viewers to question their assumptions at first glance.

Haring creates a pattern of menacing creatures to decorate the standing dog figure as a nod to the often overlooked oppression in society. At first glance, the figure seems to be decorated with Aztec or Aboriginal inspired designs, but upon closer inspection the chaos of the scene emerges. Haring provides the viewer with a glimpse of Hell in this image, showing human-like figures devouring, having sex with and clambering on top of one another and with a devil-like figure spreading its wings at the top of the image.

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