Art Critic
Art Critic
Signed Print
Roy Lichtenstein
£26,000-£40,000
$50,000-$80,000 Value Indicator
$50,000-$70,000 Value Indicator
¥250,000-¥390,000 Value Indicator
€30,000-€45,000 Value Indicator
$270,000-$410,000 Value Indicator
¥4,910,000-¥7,560,000 Value Indicator
$35,000-$50,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 150
Year: 1996
Size: H 66cm x W 48cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2025 | Phillips New York | United States | |||
| November 2024 | Bonhams New York | United States | |||
| October 2024 | Sotheby's New York | United States | |||
| March 2024 | Christie's New York | United States | |||
| October 2023 | Christie's New York | United States | |||
| October 2023 | Bonhams Los Angeles | United States | |||
| May 2023 | Bonhams New York | United States |
Meaning & Analysis
Roy Lichtenstein’s vibrant screen print Art Critic was executed in 1996 and demonstrates the artist’s proficiency in the language of modern art. Besides pursuing a rereading of past artistic styles, the print also invokes outstanding images from Lichtenstein’s own graphic oeuvre.
Art Critic reveals a rigorously calculated composition. This work is thematically aligned with Lichtenstein’s cartoon heroines, while its formal qualities parallel the artist’ Surrealist series. The print portrays a deconstructed female face in a state of emotional turmoil. The artist composes her body entirely out of streaks of dots, colourful stripes, and blonde locks of wavy hair. Her head is depicted in profile and her elegant nose is turned slightly upward. She leans towards the abstract artwork mounted on the red wall in the background of the print.
Black delineating lines are prominent in Art Critic, along with saturated pigments and stylised appropriations of fundamental cubist and surrealist shapes. Lichtenstein takes advantage of the familiarity of these elements to compose his portrait. He shuffles the woman’s facial features around to rid the image of dimensionality. Utilising the flattened picture plane, Lichtenstein juxtaposes content versus style. The result the viewer is left with is an absurd scene brimming with humor and irony.