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As I Opened Fire - Signed Print by Roy Lichtenstein 1966 - MyArtBroker

As I Opened Fire
Signed Print

Roy Lichtenstein

£1,950-£2,950Value
Indicator

$3,700-$5,500 Value Indicator

$3,350-$5,000 Value Indicator

¥18,000-¥27,000 Value Indicator

2,300-3,450 Value Indicator

$19,000-$29,000 Value Indicator

¥360,000-¥550,000 Value Indicator

$2,500-$3,750 Value Indicator

-9% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1966
Signed Print Edition of 3000
H 61cm x W 50cm

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16 in network
9 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
May 2023Bonhams New York - United StatesAs I Opened Fire - Signed Print
April 2023Lama - United StatesAs I Opened Fire - Signed Print
March 2023Tate Ward Auctions - United KingdomAs I Opened Fire - Signed Print
February 2023Andrew Jones Auctions - United StatesAs I Opened Fire - Signed Print
January 2023Lyon & Turnbull Edinburgh - United KingdomAs I Opened Fire - Signed Print
December 2022Bonhams New York - United StatesAs I Opened Fire - Signed Print
September 2022Aspire Auctions - United StatesAs I Opened Fire - Signed Print

Meaning & Analysis

As I Opened Fire showcases three conjoined images that together constitute a coherent narrative. The story is reinforced by the added textual elements, announcing a fictitious soldier’s inner monologue. The print employs Lichtenstein’s striking formal vocabulary, making this work a typical example of Pop Art. The artist’s combination of vivid primary colours, harsh black outlines, and carefully plotted Ben Day dots mimic the appeal of cartoon imagery.

Similar to Lichtenstein’s explosive Whaam!, As I Opened Fire is a nod to the artist’s own years in the army. Lichtenstein refines and enlarges his shapes to fit a fine art context, obscuring the border between different modes and hierarchies of representation.

As I Opened Fire responds to idealised creative conventions by erasing the artist's hand. Instead, the work presents a composition that is as precise and calculated as a mechanical reproduction. Ultimately, Lichtenstein’s print criticises the futility of warfare, while also redefining the visual conventions of post-war American art.

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