5 Year Print Market Review 2023
Homage To Max Ernst - Signed Print by Roy Lichtenstein 1975 - MyArtBroker

Homage To Max Ernst
Signed Print

Roy Lichtenstein

£6,500-£10,000 Value Indicator

$12,500-$19,000 Value Indicator

$11,000-$17,000 Value Indicator

¥60,000-¥90,000 Value Indicator

7,500-11,500 Value Indicator

$60,000-$100,000 Value Indicator

¥1,180,000-¥1,820,000 Value Indicator

$8,000-$12,000 Value Indicator

2% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1975
Signed Print Edition of 100
H 66cm x W 50cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
April 2023Doyle New York - United StatesHomage To Max Ernst - Signed Print
April 2022Van Ham Fine Art Auctions - GermanyHomage To Max Ernst - Signed Print
November 2021Kaupp Auktions House - GermanyHomage To Max Ernst - Signed Print
December 2019Karl & Faber - GermanyHomage To Max Ernst - Signed Print
June 2019Karl & Faber - GermanyHomage To Max Ernst - Signed Print
September 2017Sotheby's London - United KingdomHomage To Max Ernst - Signed Print
September 2016Sotheby's London - United KingdomHomage To Max Ernst - Signed Print

Meaning & Analysis

The German painter and sculptor was one of the leading advocates of irrationality in art. By contrast, the majority of projects coming out of Lichtenstein’s studio are precise and calculated. That being said, Homage to Max Ernst sets out to embrace these paradoxes and dissimilarities. Akin to Lichtenstein’s Modern Head series from a few years prior, the print unites stylistic conventions abstracted from various modern movements. Present in this work are references to Cubism, Art Deco and Constructivism.

Ernst was a pioneer in surrealist collages, which is an artistic direction closely aligned with Lichtenstein’s idiom. Homage to Max Ernst conveys these shared principles through an interplay of dynamic and static forms. The main compositional element is a curving figure, enveloped in a spiral-like formation resembling the interior of a shell. The hovering abstracted form is situated in the middle of the canvas, set against a Greek column and a faux-wood backdrop. The figure is balancing one big and one small ball in each hand, representing the mutually playful nature of both Lichtenstein’s and Ernst’s ouvre.

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