5 Year Print Market Review 2023
Temple - Signed Print by Roy Lichtenstein 1964 - MyArtBroker

Temple
Signed Print

Roy Lichtenstein

£11,500-£18,000 VALUE (EST.)

$22,000-$35,000 VALUE (EST.)

$19,000-$30,000 VALUE (EST.)

¥100,000-¥160,000 VALUE (EST.)

13,500-21,000 VALUE (EST.)

$110,000-$180,000 VALUE (EST.)

¥2,000,000-¥3,130,000 VALUE (EST.)

$14,500-$22,000 VALUE (EST.)

67% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

Lithograph, 1964
Signed Print Edition of 300
H 58cm x W 43cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
Sotheby's London - United KingdomTemple - Signed Print
May 2022Bonhams New York - United StatesTemple - Signed Print
March 2022Sotheby's Online - United KingdomTemple - Signed Print
March 2022Christie's New York - United StatesTemple - Signed Print
October 2021Wright - United StatesTemple - Signed Print
May 2021Bonhams New York - United StatesTemple - Signed Print
December 2020Tate Ward Auctions - United KingdomTemple - Signed Print

Meaning & Analysis

Undermining illusionism by the means of abstraction, Lichtenstein’s temple renditions demonstrate his mastery of decoding cultural images and signs. Akin to Temple Of Apolloof the same year, Temple of 1964 is a delicate lithograph. The illustration embraces a holistic view of a Doric style chapel. For this work, Lichtenstein drew inspiration from the formal magnificence and historical endurance of Greek temples. Constructed of local limestone, these buildings were situated on top of rocky hills to which devotees would make pilgrimages. These imposing sanctuaries were important emblems for ancient cities, symbolising growth and prosperity.

Temple’s ruins are constituted by three cracked stone pillars. Bold black, white and grey contours on dense Ben Day dot patterning define the elegant composition. The print zeroes in on the most important visual aspects of the landscape and the architectural structure. This work was created in preparation for Lichtenstein’s eleven-part detail-study of 1976 titled Entablatures.

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