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Untitled Head - Signed Print by Roy Lichtenstein 1995 - MyArtBroker

Untitled Head
Signed Print

Roy Lichtenstein

£20,000-£30,000Value
Indicator

$40,000-$60,000 Value Indicator

$35,000-$50,000 Value Indicator

¥180,000-¥270,000 Value Indicator

23,000-35,000 Value Indicator

$200,000-$290,000 Value Indicator

¥3,760,000-¥5,630,000 Value Indicator

$25,000-$40,000 Value Indicator

9% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1995
Signed Print Edition of 75
H 34cm x W 40cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
March 2022Bonhams Los Angeles - United StatesUntitled Head - Signed Print
October 2021Christie's New York - United StatesUntitled Head - Signed Print
April 2021Phillips New York - United StatesUntitled Head - Signed Print
April 2018Phillips New York - United StatesUntitled Head - Signed Print
June 2016Phillips London - United KingdomUntitled Head - Signed Print
October 2010Christie's New York - United StatesUntitled Head - Signed Print
May 2010Bonhams San Francisco - United StatesUntitled Head - Signed Print

Meaning & Analysis

Akin to Art Critic from one year prior, Untitled Head reveals a rigorously calculated composition. The work is thematically aligned with Lichtenstein’s cartoon heroines, while its formal qualities parallel the artist’s Surrealist series. The print presents a deconstructed portrait of a closely cropped female face. The artist composes her features entirely out of streaks of blue dots and white and bright yellow stripes. He frames the figure’s splintered attributes in blonde locks of wavy hair. Her nose is depicted in profile, and while her right eye stares directly at the beholder, the left one has disintegrated and is floating upward.

Black delineating lines are prominent in Untitled Head, along with saturated pigments and stylised appropriations of fundamental cubist and surrealist shapes. Lichtenstein takes advantage of the familiarity of these elements, shuffling the woman’s facial features around to rid the image of dimensionality. Utilising the flattened picture plane, Lichtenstein juxtaposes content versus style. The result the viewer is left with is an absurd scene brimming with humor and irony.

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