Illustration For Une Fenêtre Ouverte Sur Chicago
Illustration For Une Fenêtre Ouverte Sur Chicago
Signed Print
Roy Lichtenstein
£4,350-£6,500 VALUE (EST.)
$8,000-$12,000 VALUE (EST.)
$7,500-$11,000 VALUE (EST.)
¥35,000-¥50,000 VALUE (EST.)
€4,950-€7,500 VALUE (EST.)
$40,000-$60,000 VALUE (EST.)
¥710,000-¥1,050,000 VALUE (EST.)
$5,500-$8,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Intaglio, 1992
Signed Print Edition of 80
H 38cm x W 29cm
Own this artwork?
Toni Clayton, American Pop & Modern Specialist
The
MyArtbroker
Advantage
- Authenticity Guarantee
- 0% Seller's fee
- Powered by our private trading algorithm
Track value
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2019 | Forum Auctions London - United Kingdom | Illustration For Une Fenêtre Ouverte Sur Chicago - Signed Print | |||
| September 2019 | Whyte's - Ireland | Illustration For Une Fenêtre Ouverte Sur Chicago - Signed Print |
Meaning & Analysis
Two decades after the publication of Allen Ginsberg’s 1972 poetry collection, The Fall Of America, Roy Lichtenstein was entrusted with illustrating a selection of poems from the book. Ginsberg was a central member of the Beat Generation, a literary movement responding to changes in American culture and politics in the post-war era.
Une Fenêtre Ouverte Sur Chicago by Lichtenstein is a vignette-style illustration of Ginsberg’s poem “An Open Window On Chicago”. The original poem is a detailed flashback of the protests erupting all over the city during the late 1960s, in response to recent political and civil injustices. It is also an account of the repercussions that followed the event. This was a time characterised by increased brutality, violation of human and constitutional rights, street demonstrations and a later court trial of demonstrators.
Une Fenêtre Ouverte Sur Chicago provides a comprehensive, if dreary, overview of contemporary American society. Lichtenstein’s traditional blue, white, brown and black elements portray a cubist vision of the city under attack, suffocated by the industrial reach and prevailing warfare. A not so subtle, in fact, monumental white dollar sign is superimposed over the whole composition, spotlighting the real catalyst of America’s decline.
