The Pond
The Pond
Signed Print
L S Lowry
£2,700-£4,050
$5,000-$8,000 Value Indicator
$4,600-$7,000 Value Indicator
¥24,000-¥35,000 Value Indicator
€3,150-€4,750 Value Indicator
$27,000-$40,000 Value Indicator
¥510,000-¥770,000 Value Indicator
$3,400-$5,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 850
Year: 1974
Size: H 43cm x W 58cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2023 | Woolley & Wallis - United Kingdom | The Pond - Signed Print | |||
| December 2023 | Bonhams Knightsbridge - United Kingdom | The Pond - Signed Print | |||
| December 2023 | Sworders - United Kingdom | The Pond - Signed Print | |||
| October 2023 | Cheffins - United Kingdom | The Pond - Signed Print | |||
| October 2023 | The Canterbury Auction Galleries - United Kingdom | The Pond - Signed Print | |||
| August 2023 | McTear's - United Kingdom | The Pond - Signed Print | |||
| June 2023 | Chiswick Auctions - United Kingdom | The Pond - Signed Print |
Meaning & Analysis
The Pond is a quintessential example of one of Lowry’s urban landscapes. The composition includes many of the typical Lowryan elements such as smoke rising from factories and chimneys, houses with little balconies and a mass of his matchstick figures scurrying across the urban scene and public space. Lowry was interested in mapping the effects of the Industrial Revolution on the changing face of Victorian England, however through highlighting the darker side of this progress in terms of the constant fatigue and psychological pressure that comes with such an acceleration of all aspects of life and work. In fact, the artist himself considered The Pond to be his best industrial landscape. In his own words in a letter written in 1956: “This is a composite picture built up from a blank canvas. I hadn’t the slightest idea of what I was going to put in the canvas when I started the picture, but it eventually came out as you see it. This is the way I like working best”.
