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Figures

Though known largely for his stylised, two-dimensional ‘matchstick men,’ L.S. Lowry’s Figures series demonstrates his real skill as a portrait painter. Having received less attention historically than his Industrial Scenes, scholars have recently begun reappraising Lowry as a portraitist—unsurprising, given the charming candidness of his Figures.

L S Lowry Figures For sale

Figures Value (5 Years)

With £77290 in the past 12 months, L S Lowry's Figures series is one of the most actively traded in the market. Prices have varied significantly – from £90 to £10000 – driven by fluctuations in factors like condition, provenance, and market timing. Over the past 12 months, the average selling price was £2033, with an average annual growth rate of -1.12% across the series.

Figures Market value

Annual Sales

Auction Results

ArtworkAuction
Date
Auction
House
Return to
Seller
Hammer
Price
Buyer
Paid
29 Oct 2025
Forum Auctions London
£1,275
£1,500
£1,900
14 Oct 2025
Gildings Auctioneers
£1,105
£1,300
£1,600
9 Oct 2025
McTear's
£4,675
£5,500
£7,000
7 Oct 2025
Sworders
£1,190
£1,400
£1,750
25 Sept 2025
Aubreys Auctioneers
£3,740
£4,400
£5,500
13 Sept 2025
Adam Partridge Auctioneers & Valuers
£680
£800
£950
13 Sept 2025
Adam Partridge Auctioneers & Valuers
£1,020
£1,200
£1,450
9 Jul 2025
Forum Auctions London
£850
£1,000
£1,250

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Meaning & Analysis

Though known largely for his stylised, two-dimensional ‘matchstick men,’ Lowry’s Figures series demonstrates his real skill as portrait painter. S. Lowry was also a skilled portraitist. His portraits have received less critical attention than his Industrial Scenes or his Town and Street Scenes, but recent trends in scholarship have been focusing on reappraising Lowry as an underrated portraitist, opening the door for newly-found appreciation of the artist.

One of the epitomes that stuck with Lowry the most, to the artist’s admittance, was that of being a naive “Sunday painter”. While Lowry is now widely and critically appreciated as one of the most meaningful British artists of the 20th century, this critical appraisal was not always as strong. Initially, Lowry’s stylised and repetitive depictions of the North, which his paintings have come to visually signify, were dismissed as the work of a skill-less amateurish artist. Lowry, however, was dedicated to his craft and spent most of his nights painting and training under the Impressionist painter Adolphe Valette. While many have already claimed that Lowry’s choice of colour palette shares little with the Impressionist love for colours, Lowry and Impressionist painters nonetheless shared a fascination for stylised depictions of people entertaining themselves in the urban environment, suffice to think of Gustave Caillebotte's Le Ponte De l’Europe, which has been the focus of much recent interest and different exhibitions.