Group Of Children
Group Of Children
Signed Print
L S Lowry
£1,100-£1,650
$2,150-$3,200 Value Indicator
$2,000-$3,000 Value Indicator
¥10,500-¥15,000 Value Indicator
€1,300-€2,000 Value Indicator
$11,500-$17,000 Value Indicator
¥210,000-¥310,000 Value Indicator
$1,450-$2,200 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 850
Size: H 18cm x W 20cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2024 | McTear's - United Kingdom | Group Of Children - Signed Print | |||
| June 2024 | Woolley & Wallis - United Kingdom | Group Of Children - Signed Print | |||
| January 2024 | Hutchinson Scott Auctioneers - United Kingdom | Group Of Children - Signed Print | |||
| October 2023 | Capes Dunn - United Kingdom | Group Of Children - Signed Print | |||
| September 2023 | Bearnes Hampton & Littlewood - United Kingdom | Group Of Children - Signed Print | |||
| August 2023 | Reeman Dansie - United Kingdom | Group Of Children - Signed Print | |||
| August 2023 | Capitolium Art - Italy | Group Of Children - Signed Print |
Meaning & Analysis
Group Of Children is a lithograph print by L. S. Lowry created after one of his oil paintings from 1966. The print shows exactly what the title describes, a gathering of children talking in groups, holding hands and playing with a dog. This scene could be taking place in a school playground or a park in the city.
This print is typical of Lowry’s scenes of people, showing the children standing in a row against a white background that offers no situational context. Though rendered without much detail, each child appears distinctly unique with their own character traits. Group Of Children is a print that is indicative of Lowry’s fascination with people and their unique qualities or quirks, prompting the viewer to look at his famous landscape paintings differently.
Much like many of Lowry’s scenes, this print is depicted in a limited palette of muted colours. Lowry often claimed to use just five colours in his paintings, vermillion, ivory black, Prussian blue, yellow ochre and flake white. By only using white in the background and stripping the scene of any context, this print forces the viewer to contemplate the figures in the image, who they are and why Lowry has chosen to paint them.
