5 Year Print Market Review 2023
Goethe (F. & S. II.273) - Signed Print by Andy Warhol 1982 - MyArtBroker

Goethe (F. & S. II.273)
Signed Print

Andy Warhol

£60,000-£80,000 VALUE (EST.)

$110,000-$150,000 VALUE (EST.)

$100,000-$130,000 VALUE (EST.)

¥530,000-¥710,000 VALUE (EST.)

70,000-90,000 VALUE (EST.)

$570,000-$760,000 VALUE (EST.)

¥10,870,000-¥14,490,000 VALUE (EST.)

$70,000-$100,000 VALUE (EST.)

10% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1982
Signed Print Edition of 100
H 96cm x W 96cm

TradingFloor

2 in network
1 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2023Karl & Faber - GermanyGoethe (F. & S. II.273) - Signed Print
October 2019Christie's New York - United StatesGoethe (F. & S. II.273) - Signed Print
June 2017Ketterer Kunst Hamburg - GermanyGoethe (F. & S. II.273) - Signed Print
June 2015Ketterer Kunst Hamburg - GermanyGoethe (F. & S. II.273) - Signed Print
December 2014Ketterer Kunst Hamburg - GermanyGoethe (F. & S. II.273) - Signed Print
October 2014Phillips New York - United StatesGoethe (F. & S. II.273) - Signed Print
May 2009Lempertz, Cologne - GermanyGoethe (F. & S. II.273) - Signed Print

Meaning & Analysis

Goethe (F. & S. II.272) is based on a painting of Goethe by Johan Tischbein, regarded as the most famous portrait in Germany. Much like his works inspired by the Mona Lisa in 1963, Warhol takes the original iconic painting and subverts it to question high art ideals on originality, authorship and what constitutes the value of art. In this iteration of the image, Warhol has removed the landscape background to focus instead on Goethe’s profile, in the style of his portraits from the 1960s of Elizabeth Taylor and Marilyn Monroe...

This portrait is produced with stark contrasts of colour with pops of pink, blue and red against a beige backdrop, working to flatten the original image and render Goethe’s profile into a piece of Pop Art. Warhol also uses graphic lines to contour the image and presents a dichotomy between classical portraiture and the resulting Pop aesthetic. By staging Goethe, a figure of the classical past, as a superstar in the present, Warhol reflects on how mass media can change public perception of reality.

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