Mao (F. & S. II.92)
Mao (F. & S. II.92)
Signed Print
Andy Warhol
£30,000-£50,000
$60,000-$100,000 Value Indicator
$50,000-$90,000 Value Indicator
¥290,000-¥480,000 Value Indicator
€35,000-€60,000 Value Indicator
$300,000-$510,000 Value Indicator
¥5,620,000-¥9,360,000 Value Indicator
$40,000-$70,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1972
Size: H 91cm x W 91cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| February 2025 | Lama | United States | |||
| January 2025 | Phillips London | United Kingdom | |||
| October 2024 | Bonhams Los Angeles | United States | |||
| June 2024 | Phillips London | United Kingdom | |||
| December 2023 | Sotheby's New York | United States | |||
| September 2023 | Phillips London | United Kingdom | |||
| May 2023 | Whyte's | Ireland |
Meaning & Analysis
Fascinated by the mechanism of fame in popular culture, Andy Warhol creates a 1970s Pop Art icon out of the Chinese communist leader Chairman Mao in his print Mao (F. & S. II.92) from his famous Mao series (1972). Appropriating the official imagery of the Chairman,primarily used as a propaganda tool in Maoist China, Warhol manipulates the original photograph with unlikely colours to make an astute political statement amidst America’s involvement in the Cold War.
In this iteration of Warhol’s print, Mao’s face is depicted in a sickly yellow and his lips are turquoise green working to make a spectacle of the Chinese statesman without him knowing. By repeating his image many times over the course of a screen print series, Warhol portrays Mao as a commodity to be dispersed as a piece of mass-media in capitalist America.
Warhol explores a multitude of colour variations across the series to render each print unique,thus symbolically opposing the ideals of communism that Mao wished to uphold. Taking this point further, Warhol adds gestural dark lines to each print as a display of individualism, reminiscent of the American Abstract Expressionists. Deliberately misaligning the photographic image with the coloured ink layered on top, Warhol creates a jarring visual effect that makes this image both humorous and menacing.
