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Andy Warhol: Skull (F. & S. II.160) - Signed Print

Skull (F. & S. II.160)
Signed Print

Andy Warhol

POA

This estimate blends recent public auction records with our own private sale data and network demand.

Screenprint, 1976
Signed Print Edition of 50
H 76cm x W 102cm

Toni Clayton

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Toni Clayton, American Pop & Modern Specialist

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Critical Review

As with his iconic Flowers series (1964), Warhol takes a playful approach to the art historical genre of still life painting, the subject of the skull making specific reference to ‘vanitas’ still lifes. Vanitas paintings in history were a reminder of human mortality and the fragility of life, and this deathly subject matter marks a shift in Warhol’s work, often linked to Warhol’s near-fatal shooting in 1968.

The mostly dark green, grey and black blocks of colour hint at the grave subject matter, while the hint of bright blue still gives the print an unsettling but striking character. In contrast to his earlier photographic portraits of famous individuals, the Skulls series overthrows this by showing a subject devoid of any individuality. Of this, his assistant Cutrone once commented that to painting a skull ‘is to paint the portrait of everybody in the world.’ Through his obsessive repetition of the subject throughout his body of work, Warhol both desensitises and amplifies the permeating human condition of mortality.

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