5 Year Print Market Review 2023
Grace Kelly (F. & S. II.305) - Signed Print by Andy Warhol 1984 - MyArtBroker

Grace Kelly (F. & S. II.305)
Signed Print

Andy Warhol

£110,000-£160,000 VALUE (EST.)

$200,000-$290,000 VALUE (EST.)

$180,000-$270,000 VALUE (EST.)

¥930,000-¥1,360,000 VALUE (EST.)

130,000-180,000 VALUE (EST.)

$1,070,000-$1,550,000 VALUE (EST.)

¥17,780,000-¥25,860,000 VALUE (EST.)

$140,000-$200,000 VALUE (EST.)

19% AAGR

This estimate blends recent public auction records with our own private sale data and network demand.

Screenprint, 1984
Signed Print Edition of 225
H 102cm x W 81cm

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1 in network
1 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
October 2022Christie's New York - United StatesGrace Kelly (F. & S. II.305) - Signed Print
October 2022Sotheby's New York - United StatesGrace Kelly (F. & S. II.305) - Signed Print
June 2022Rago Arts and Auction Center - United StatesGrace Kelly (F. & S. II.305) - Signed Print
April 2022Phillips New York - United StatesGrace Kelly (F. & S. II.305) - Signed Print
October 2020Sotheby's New York - United StatesGrace Kelly (F. & S. II.305) - Signed Print
March 2020Sotheby's New York - United StatesGrace Kelly (F. & S. II.305) - Signed Print
November 2019Quinn's Auction Galleries - United StatesGrace Kelly (F. & S. II.305) - Signed Print

Meaning & Analysis

Completed just two years after her tragic death from a car accident, this portrait sits in within the Warholian tradition of depicting quintessential American celebrity icons posthumously. Kelly is memorialised as an icon of popular culture by Warhol through his renowned screen printing technique. Warhol’s use of vivid colours and simplified form replicates the kitsch aesthetic of mass consumer products and works to emphasise the thin veneer of Kelly’s beauty and fame.

Comparable to his portraits from the 1960s such as Marilyn (1967) and Liz (1964) that exemplify Warhol’s infatuation with the concept of stardom and celebrity culture, this later print makes a departure in graphic style. With his use of luminous colour, the blue backdrop and bright yellow hair, and multicoloured lines that contour Kelly’s portrait, Warhol creates a glossy surface to the print, mimicking the visual language of 1980s magazines.

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