£30,000-£45,000 VALUE (EST.)
$50,000-$80,000 VALUE (EST.)
$50,000-$80,000 VALUE (EST.)
¥250,000-¥380,000 VALUE (EST.)
€35,000-€50,000 VALUE (EST.)
$290,000-$430,000 VALUE (EST.)
¥4,870,000-¥7,300,000 VALUE (EST.)
$35,000-$60,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Screenprint, 2003
Unsigned Print Edition of 600
H 70cm x W 50cm
TradingFloor
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Joe Syer, Head of Urban & Contemporary Art
Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
March 2023 | Christie's London - United Kingdom | Laugh Now - Unsigned Print | |||
January 2023 | Phillips London - United Kingdom | Laugh Now - Unsigned Print | |||
October 2022 | SBI Art Auction - Japan | Laugh Now - Unsigned Print | |||
September 2022 | Christie's Australia - Australia | Laugh Now - Unsigned Print | |||
August 2022 | Sotheby's Online - United Kingdom | Laugh Now - Unsigned Print | |||
April 2022 | Sotheby's Online - United Kingdom | Laugh Now - Unsigned Print | |||
March 2022 | Christie's London - United Kingdom | Laugh Now - Unsigned Print |
Laugh Now is a Banksy screen print from 2003, released in an unsigned edition of 600. Featuring a monkey wearing a sandwich board that reads "Laugh Now But One Day We'll Be In Charge". The original artwork first appeared in a Brighton nightclub.
‘Laugh Now But One Day We’ll Be In Charge’, reads the sandwich board worn by the slightly ominous monkey replicated against a striking red background in this 1998 Banksy original, which first appeared in a Brighton nightclub in 2002 before going onto being released as a print the following year.
Much like with Banksy’s visual vocabulary in general, there can be various interpretations for the monkey figure in this work. It can be viewed as a representation of the oppressed, who walk the streets until they’re exhausted in order to spread their message. Such sandwich boards are usually associated with “prophets of doom”, preaching the looming apocalypse on the streets. Or perhaps it is simply a monkey, by which Banksy is commenting on how man has enslaved animals for centuries, including our distant primate relatives, much like he does in the work Barcode with a leopard. It could also be a symbol for the common man of the working class, who is exploited, exhausted and enslaved by capitalism, themes that Banksy regularly revisits through a range of various characters such as a rat in other famous prints like Love Rat and Gangsta Rat.
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