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Rude
Copper

Rude Copper displays Banksy's disdain for police, created in response to the controversial 2000 Terrorism Act increasing the force's stop and search powers. The classic British ‘bobby’ is shown flipping the bird to the viewer; Banksy's use of foreshortening impactfully emphasizes the policeman’s intimidating and ‘rude’ disposition.

Rude Copper Value (5 Years)

Works from the Rude Copper series by Banksy have a strong market value presence, with 53 auction appearances. Top performing works have achieved standout auction results, with peak hammer prices of £125000. Over the past 12 months, average values across the series have ranged from £10000 to £70000. The series shows an average annual growth rate of 2.47%.

Rude Copper Market value

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Meaning & Analysis

Issued in 2002, Rude Copper was Banksy’s first print release. A work vaunting the artist’s contempt for authority, it depicts a British policeman giving 'the finger'. Stencilled in Banksy's signature black and white style, the work uses a perspectival technique called 'foreshortening' to give the impression that the policeman's hand is coming out of the frame, and moving towards us.

The figure depicted wears a custodian helmet, traditionally worn by police on patrol in England and Wales, recalling the old-fashioned allure of TV programmes such as Heartbeat, which romanticised the police force. The model for Rude Copper was an artist named Jay Jay Burridge, who is rumoured to have shared an artist's studio next door to Banksy. Here, the benevolent stereotype of the 'Bobby' is turned on its head; the figure glares out at us, half in shadow, with an insolent stare that suggests his nature as an impersonator who has donned police uniform. A cutting satire of modern policing methods, Banksy makes clear that the figure in question is anything but a true 'copper'.

The inspiration for Rude Copper was the 2000 Terrorism Act, which gave police officers the power to stop and search without suspicion (this power was overruled by a European Court of Human Rights ruling in 2010). With his powerful depiction of a forceful gesture - giving 'the finger' - Banksy appears to be warning the public to be wary of the authorities; at the same time, the artist alludes to the law’s apparent disdain for the disadvantaged, and perhaps even the police force's widespread corruption and endemic racism.

Banksy is well known for his criticism of the establishment and the figures that uphold it. Banksy prints that invoke a similar theme include Flying Coppers, Kissing Coppers, Applause, CND Soldiers, Golf Sale, Happy Choppers and Have a Nice Day. Some of these works criticise the trivialisation of warfare; others, such as Turf War, Queen Victoria and Monkey Queen, mock some of the UK’s most historic rulers.

10 Facts About Banksy’s Rude Copper

A black-and-white screenprint of a British bobby in a custodian helmet thrusting a foreshortened middle finger toward the viewer.

Rude Copper © Banksy 2002

1. Rude Copper (2002) was Banksy’s first print release

At the heart of Rude Copper is a British bobby brazenly “flipping the bird”. Published in 2002 by Pictures on Walls, Banksy’s Rude Copper series marks his debut print release and set the blueprint for his later screenprints. The gesture of the policeman is a direct and crude inversion of the officer’s supposed civic role - by weaponising a universal sign, Banksy strips away euphemism and ceremony around policing. The insolent stare and half-shadowed face push the figure towards theatre, implying that authority can be costume as much as character. The image remains one of the most widely searched and cited Banksy critiques of law enforcement.

A black-and-white screenprint of a British bobby in a custodian helmet thrusting a foreshortened middle finger toward the viewer.

Rude Copper © Banksy 2002

2. The 2000 Terrorism Act and stop-and-search powers catalysed the image

Rude Copper was conceived against the backdrop of the 2000 Terrorism Act, which broadened stop-and-search powers and reshaped the everyday experience of policing in the UK. Banksy channels public anxiety into the confrontational pose, and a decade later elements of those powers were checked by the European Court of Human Rights, underscoring how contested that legal expansion had been. The print’s popularity owes to its encapsulation of public response to changing civil liberties and the policing of public space.

A black-and-white screenprint of a British bobby in a custodian helmet thrusting a foreshortened middle finger toward the viewer, set against a beige ground with a grey spray-painted swoosh.

Rude Copper (hand finished) © Banksy 2002

3. Banksy’s use of foreshortening makes the officer’s hand ‘leave’ the frame

Part of Rude Copper’s impact is Banksy’s use of foreshortening, a technique that pushes the officer’s hand toward us while his body recedes, creating an illusion of depth. In this series, the middle finger dominates, making the insult feel immediate and unavoidable. This artistic device utilises classical illusionism and repurposes it for street art. The effect is that the viewer becomes the target, ensuring the message reads instantly - an essential to Banksy’s visual rhetoric.

A black-and-white screenprint of a British bobby in a custodian helmet thrusting a foreshortened middle finger toward the viewer, set against a white ground with a red spray-painted swoosh.

Rude Copper (hand finished) © Banksy 2002