David Hockney’s Henry Geldzahler And Christopher Scott

Year: 1969
Medium: Acrylic on canvas
Dimensions: 214 x 305cm
Last Realised: £37.7 Million
David Hockney’s Henry Geldzahler And Christopher Scott. An acrylic portrait of one man seated on a pink couch with another standing on the side of him.Henry Geldzahler And Christopher Scott © David Hockney
Jasper Tordoff

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David Hockney

David Hockney

631 works

David Hockney’s Henry Geldzahler and Christopher Scott exemplifies his mastery of portraiture during a transformative period in his career. The artwork presents a strikingly modern composition, capturing the influential art curator Henry Geldzahler and his friend Christopher Scott in an interior setting that is both intimate and formal. This painting not only reflects Hockney’s evolving style but also encapsulates the interpersonal dynamics and cultural milieu of the late 1960s, offering a nuanced portrayal of his subjects and their surroundings.

Henry Geldzahler and Christopher Scott: Meaning & Analysis

Hockney’s Henry Geldzahler And Christopher Scott stands as a testament to his keen observational skills and his ability to convey complex relationships through composition and form. Created in 1969, the painting features Geldzahler, a prominent curator and key figure in the New York art scene, seated confidently on a pink, semicircular sofa, while Scott, an artist and fashion model, stands to the right, clad in a trench coat. The juxtaposition of their poses and expressions highlights a dynamic interplay of authority and contemplation.

Hockney employs a meticulous approach to detail, from the realistic rendering of the urban backdrop visible through the window to the soft, diffused light that bathes the room, lending it a calm yet slightly detached atmosphere. The choice of a pastel pink sofa and the angular, glass-topped coffee table adds a touch of modernity and sophistication, reflecting the avant-garde sensibilities of the era.

The composition’s spatial arrangement and use of colour are pivotal in conveying the psychological depth of the subjects. Geldzahler’s relaxed posture and central placement signify his influence and presence within the art world, while Scott’s upright, somewhat aloof stance suggests a sense of detachment or introspection. This contrast invites viewers to ponder the nature of their relationship and the individual identities they project within the shared space.

Reflections on Hockney’s Henry Geldzahler and Christopher Scott

Henry Geldzahler And Christopher Scott remains a seminal work in Hockney’s oeuvre, illustrating his adeptness at capturing the essence of his sitters and their interactions. The painting offers a snapshot of a particular moment in the art world, characterised by shifting paradigms and the emergence of new expressions. Hockney’s ability to infuse the scene with both personal intimacy and broader cultural context makes this portrait a timeless exploration of identity and social dynamics.

The legacy of this artwork lies in its enduring relevance and the insights it provides into the personalities and the era it portrays. Hockney’s nuanced depiction encourages viewers to engage with the complexities of human relationships and the interplay between individual and collective identities.

Henry Geldzahler and Christopher Scott Exhibition History

New York, David Hockney, 1969, Andre Emmerich Gallery, 1969

London, Pop Art Redefined, Hayward Gallery, 1969

Washington, D.C., British Painting and Sculpture 1960-1970, National Gallery of Art, 1971

Paris, David Hockney: Tableaux et Dessins, Musee des Arts Decoratifs 1974

Paris, David Hockney: Tableaux et Dessins, Palais du Louvre, 1974

Minneapolis, Hockney Paints the Stage, Walker Art Center, 1984-1985

Mexico City, Hockney Paints the Stage, Museo Tamayo, 1984-1985

Toronto, Hockney Paints the Stage, Art Gallery of Ontario, 1984-1985

Chicago, Hockney Paints the Stage, Museum of Contemporary Art, 1984-1985

Fort Worth, Hockney Paints the Stage, The Fort Worth Art Museum, 1984-1985

San Francisco, Hockney Paints the Stage, San Francisco Museum of Art , 1984-1985

London, Hockney Paints the Stage, Hayward Gallery, 1984-1985

New York, The Window in Twentieth Century Art, Neuberger Museum, 1986-1987

Los Angeles, David Hockney: A Retrospective, Los Angeles County Museum of Art, 1988-1989 New York, David Hockney: A Retrospective, The Metropolitan Museum of Art, 1988-1989

and London, David Hockney: A Retrospective, Tate Gallery, 1988-1989

Washington, D.C., Twentieth-Century American Art: The Ebsworth Collection, National Gallery of Art, 2000

Seattle, Twentieth-Century American Art: The Ebsworth Collection, Seattle Art Museum, 2000

Boston, David Hockney: Portraits, Museum of Fine Arts, 2006-2007

Los Angeles, David Hockney: Portraits, Los Angeles County Museum of Art, 2006-2007

London, David Hockney: Portraits, National Portrait Gallery, 2006-2007

Los Angeles, David Hockney: A Bigger Picture, Los Angeles County Museum of Art, April 2010.

Seattle, The Figure in Process: de Kooning to Kapoor 1955-2015, Pivot Art + Culture, 2015-2016

London, David Hockney: 82 Portraits and 1 Still-life, Royal Academy of Arts, June 2016.

London, David Hockney, Tate Britain, 2017-2018

Paris, David Hockney, Musee national d'art Moderne, 2017-2018

Paris, David Hockney, Centre Georges Pompidou, 2017-2018

New York, David Hockney, The Metropolitan Museum of Art, 2017-2018