Modern British Prints Market Report 2023
Tree - Signed Print by David Hockney 1968 - MyArtBroker

Tree
Signed Print

David Hockney

£4,650-£7,000 VALUE (EST.)

$9,000-$13,500 VALUE (EST.)

$7,500-$11,500 VALUE (EST.)

¥40,000-¥60,000 VALUE (EST.)

5,500-8,000 VALUE (EST.)

$45,000-$70,000 VALUE (EST.)

¥840,000-¥1,270,000 VALUE (EST.)

$5,500-$8,500 VALUE (EST.)

42% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1968
Signed Print Edition of 95
H 64cm x W 48cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
June 2023Bonhams New Bond Street - United KingdomTree - Signed Print
March 2022Rosebery's Fine Art Auctioneers - United KingdomTree - Signed Print
January 2022Phillips London - United KingdomTree - Signed Print
December 2020Forum Auctions London - United KingdomTree - Signed Print
September 2020Sotheby's London - United KingdomTree - Signed Print
March 2020Christie's London - United KingdomTree - Signed Print
September 2019Phillips London - United KingdomTree - Signed Print

Meaning & Analysis

Tree is a lithograph printed in colour, executed by David Hockney in 1968 and released in an edition of 95. The lithograph depicts a densely set grouping of trees, cubist in form. Thick strokes of colour form the trunks, whilst the lush and verdant leaves are replaced with shaded, solid geometric forms that expand in rows towards the top of the page. Hockney has confessed on numerous occasions his love for just observing the natural world, a passion he believes he shares with another infamous landscape painter, Vincent Van Gogh. Yet, this depiction of nature is wholly different from the Impressionist depictions of Van Gogh, which typically swell and pulsate with energy and life. This heightened impression of nature in Tree conveys as much of Hockney’s feelings at the time of painting regarding what he is seeing, than what actually lies before him.

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