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Cage (P19-1) - Unsigned Print by Gerhard Richter 2020 - MyArtBroker

Cage (P19-1)
Unsigned Print

Gerhard Richter

£13,000-£19,000 VALUE (EST.)

$24,000-$35,000 VALUE (EST.)

$22,000-$30,000 VALUE (EST.)

¥110,000-¥170,000 VALUE (EST.)

15,000-22,000 VALUE (EST.)

$130,000-$190,000 VALUE (EST.)

¥2,270,000-¥3,310,000 VALUE (EST.)

$16,000-$24,000 VALUE (EST.)

-7% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

Giclée print, 2020
Unsigned Print Edition of 200
H 100cm x W 100cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
April 2023Phi Auctions - United StatesCage (P19-1) - Unsigned Print
January 2023Phillips London - United KingdomCage (P19-1) - Unsigned Print
December 2022Tate Ward Auctions - United KingdomCage (P19-1) - Unsigned Print
September 2022Phillips London - United KingdomCage (P19-1) - Unsigned Print
August 2022Sotheby's Online - United KingdomCage (P19-1) - Unsigned Print
June 2022Phillips London - United KingdomCage (P19-1) - Unsigned Print
January 2022Phillips London - United KingdomCage (P19-1) - Unsigned Print

Meaning & Analysis

Imbued with the same sense of foreboding that accompanies the artist’s famed Dead paintings (1988) - photo paintings depicting the body of German terrorist Ulrike Meinhof, ringleader of the famed Baader-Meinhof Gang or Rote Armee Fraktion - Cage (P19-1) combines elements of Richter’s penchant for historical painting with a deep meditation on non-representational art and abstraction. Save for a streak of brighter oil paint, which marks the centre of the image with a sense of directionality and dynamism, the work combines hues of blue and grey with moss-like greens.

Typical of prints made after Richter’s ‘squeegee’ paintings, such as Cage Grid I Single Part L (2011) or Cage f.ff II (2015), the work references a unique creative process that sees the artist use large, home-made squeegees to drag layer upon layer of oil paint across the canvas surface. Born in the East German city of Dresden, Richter inscribes this work with the trace of his early artistic training in the same city - albeit in the negative. Strictly ideological in its remit, save for a few exceptions, the Dresden Academy was committed to the reproduction, via its students, of a ‘socialist realist’ style of painting. In Cage (P19-1), ideology is nowhere to be seen: rather, it has been banished to the murky depths of the non-representational, never to return.

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$70,000-$100,000 VALUE (EST.)

¥350,000-¥530,000 VALUE (EST.)

45,000-70,000 VALUE (EST.)

$390,000-$590,000 VALUE (EST.)

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