Who Cares Wins (red)
Who Cares Wins (red)
Signed Print
Harland Miller
Price data unavailable
This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Format: Signed Print
Year: 2014
Size: H 64cm x W 50cm
Edition size: 50
Signed: Yes
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Track auction value trend
The value of Harland Miller's Who Cares Wins (red) (signed) is estimated to be worth between £20,000 to £29,000. This screenprint artwork, created in 2014, has seen a total of 2 sales at auction to date. The hammer price has been consistent at £18,000 as of September 2021. The average return to the seller is £15,300. The first sale at auction was on 3rd June 2018. The edition size of this artwork is limited to 50.
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2021 | Tate Ward Auctions - United Kingdom | Who Cares Wins (red) - Signed Print | |||
| June 2018 | AAG: Arts & Antiques Group - Netherlands | Who Cares Wins (red) - Signed Print |
Meaning & Analysis
Who Cares Wins shows Miller’s skill with wordplay and the artist’s more playful side within his Penguin series, based on the colourful dust jackets of popular Penguin Series and his titles characterized as “wittily deadpan, punkish and aphoristic” by novelist Michael Bracewell. The series marries Miller’s love for the written word and his artistic influences of Pop Art, Abstract Expressionism and Mark Rothko’s Colour Field paintings, resulting in a clever exploration of the relationship between text and image through subverting the familiar format of the books and inserting his own writing.
Miller was originally inspired by how the Penguin Classics were colour-coded based on genre and how that affected the perceptions of their titles, as well as using the nostalgia and anti-elitist universality associated with Penguin books to formulate clever statements of social critique. This effect is enhanced by the photorealistic rendering of the rugged original covers, serving as authentic “packaging” for the artist’s message. Who Cares Wins is one of the more positive, hopeful examples of the series, while still being slightly ironic. Miller’s choice of vibrant colours such as red and white for the background signals a more upbeat tone.
