Venetian
Views
Howard Hodgkin’s 1995 Venetian Views is a series of four etchings, evoking city strolls. Employing the same five plates, the prints vary wildly in colouration, yet black underpins the series: in Evening and Night it evokes the dark oceanic depths, and in the daytime prints it creates a sense of harsh sunlight.
Howard Hodgkin Venetian Views For sale
Venetian Views Value (5 Years)
With £41568 in the past 12 months, Howard Hodgkin's Venetian Views series is one of the most actively traded in the market. Prices have varied significantly – from £3092 to £25551 – driven by fluctuations in factors like condition, provenance, and market timing. Over the past 12 months, the average selling price was £6928, with an average annual growth rate of -0.36% across the series.
Venetian Views Market value
Auction Results
| Artwork | Auction Date | Auction House | Return to Seller | Hammer Price | Buyer Paid |
|---|---|---|---|---|---|
 Venice, Afternoon Howard Hodgkin Signed Print | 2 Jul 2025 | Forum Auctions London | £6,375 | £7,500 | £9,500 |
 Venice, Evening Howard Hodgkin Signed Print | 2 Jul 2025 | Forum Auctions London | £11,900 | £14,000 | £18,000 |
 Venice, Morning Howard Hodgkin Signed Print | 2 Jul 2025 | Forum Auctions London | £5,525 | £6,500 | £8,000 |
 Venice, Night Howard Hodgkin Signed Print | 2 Jul 2025 | Forum Auctions London | £4,675 | £5,500 | £7,000 |
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Meaning & Analysis
Sir Howard Hodgkin, one of Britain's most prominent Post-War artists, liked to talk about himself as a representational painter of emotional states. His works are not to be taken as literal representations of different subjects, but rather as attempts to convey through colour and brushstrokes the emotional intensity and immediacy of the artist’s memories.
Venetian Views, a series of four etchings the artist made in 1995, recall Hodgkin’s strolls around the Italian city. Surprisingly, the four prints were made with the same five plates, despite being strikingly different in colour, movement, and texture. Each is composed of 16 sheets of paper, making them amongst Hodgkin’s most grandiose and largest works on paper. True to his manner, once printed the artist would go over each work with paint, giving to each print a unique and distinctive feel and complexity.
The series developed from a failed attempt on Hodgkin’s part to visually illustrate Thomas Mann’s important 1912 novel Death In Venice. The story follows the visit to Venice of an ennobled writer who fixates on a young Polish boy he encounters during his stay. This initial project was cast aside by Hodgkin, who decided instead to portray Venice at different stages of the day: Venice (Morning), Venice (Afternoon), Venice (Evening) and Venice (Night).
The exhibition history of the prints is as important and telling of Hodgkin’s talent as their artistic merit. The series was made for Alan Cristea Roberts Gallery, London, who published all of Hodgkin’s works on paper, and was inaugurated in conjunction with one of Hodgkin’s most important retrospectives at the Museum of Modern Art, New York. Regarding the works, Alan Cristea declared that the series “encompasses the artist's vision of Venice as a place of transience and beauty.” To this day, Venetian Views are in possession of the Tate Gallery in London, the MoMA in New York and the Yale Centre for British Art, New Heaven, which acquired them in 2006.
