£2,050-£3,100 VALUE (EST.)
$3,850-$6,000 VALUE (EST.)
$3,450-$5,000 VALUE (EST.)
¥18,000-¥27,000 VALUE (EST.)
€2,400-€3,600 VALUE (EST.)
$20,000-$30,000 VALUE (EST.)
¥360,000-¥540,000 VALUE (EST.)
$2,550-$3,850 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Signed Print Edition of 88
H 30cm x W 42cm
Build your portfolio, manage valuations, view return against your collection and watch works you’re looking for.
|Auction Date||Auction House||Artwork|
Return to Seller
|Chiswick Auctions - United Kingdom||Scooter - Signed Print|
|November 2022||Digard - France||Scooter - Signed Print|
|May 2022||Tate Ward Auctions - United Kingdom||Scooter - Signed Print|
|September 2021||Tate Ward Auctions - United Kingdom||Scooter - Signed Print|
|March 2021||Tate Ward Auctions - United Kingdom||Scooter - Signed Print|
|June 2020||Tate Ward Auctions - United Kingdom||Scooter - Signed Print|
|April 2020||Sotheby's Hong Kong - Hong Kong||Scooter - Signed Print|
This signed screen print from 2015 is a limited edition of 88. The print shows a photograph of Invader’s personal Scooter tagged by different colourful graffitis and stickers, which were executed on the scooter throughout the years by Invader’s fellow Street Artists and friends.
One of Invader’s most unexpected pieces, the Scooter print was released on the occasion of Invader’s Wipe Out, a solo exhibition held in Hong Kong in 2015. It references an installation made by the artist for the exhibition, whereby Invader’s scooter was placed on public display on a pedestal. The installation was meant to reference a similar piece made in 2002 by the father of Hong Kong Graffiti Art, Tsang Tsou Choi (King of Kowloon), called Calligraphy On Scooter. There where Tsang Tsou Choi had placed his own writings, Invader displayed markings and stickers placed by fellow Street artists who Invader befriended throughout the years.
Thus, the print holds a unique sentimental value for the artist, and simultaneously attests to Invader’s growing visibility within the Street Art community, with friends like Banksy and Mr Brainwash singing the scooter. Additionally, the print’s reference to the local tradition of Street and Graffiti Art in Hong Kong showcases the extent to which Invader’s art is always thought of as a careful response to the cultural artistic tradition of the cities he invades, whether by means of Space Invaders or through exhibitions like Wipe Out.