Tourist With Ponytail
Tourist With Ponytail
Signed Print
Julian Opie
Price data unavailable
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Format: Signed Print
Year: 2014
Size: H 102cm x W 75cm
Edition size: 20
Signed: Yes
TradingFloor
MyPortfolio
Your colletion tracked in realtime.
Build your portfolio, manage valuations, view return against your collection and watch works you're looking for.
Track auction value trend
The value of Julian Opie's Tourist With Ponytail (signed) is estimated to be worth between £10,000 to £14,500. This screenprint artwork has seen a total of 2 sales at auction to date. The hammer price has been consistent at £10,299, recorded on 10th April 2021. The average return to the seller is £8,754. The first sale at auction was on 17th April 2016. The edition size of this artwork is limited to just 20, making it a valuable addition to any collection.
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2016 | Sotheby's New York - United States | Tourist With Ponytail - Signed Print |
Meaning & Analysis
Taken from Julian Opie’s Tourists series (2014), Tourist With Ponytail shows a portrait of a woman looking away from the viewer, depicted in bright colours of orange and blue and bold, thick contours. Opie anonymises the passer-by in rendering her face featureless, but makes the portrait distinct through use of colour, clothing and stance.
Tourist With Ponytail plays into Opie’s idea surrounding the sitter refusing to have their portrait made, as this woman is seemingly looking away from the viewer’s gaze. Indeed, this conjures up the feeling of wandering through a busy street where passers-by avoid the gazes of one another. Despite the way in which Opie has abstracted and simplified the original photograph, Tourist With Ponytail conveys a sense of realism in the viewer’s pose.
Showing the sitter to avoid the viewer’s gaze creates a melancholic drama in the portrait that is different from a portrait where the sitter’s face is visible. The line used to outline the woman’s face is so thick that Opie barely manages to distinguish her ear, thus solving the problem of dealing with facial features. This element of melancholic anonymity also allows the viewer to project their own experiences onto the image in how they relate to this person and recognise this as a familiar image.
