5 Year Print Market Review 2023
Keith Haring At Robert Fraser Gallery - Unsigned Print by Keith Haring 1983 - MyArtBroker

Keith Haring At Robert Fraser Gallery
Unsigned Print

Keith Haring

£5,000-£7,500 VALUE (EST.)

$9,500-$14,500 VALUE (EST.)

$8,500-$12,500 VALUE (EST.)

¥45,000-¥70,000 VALUE (EST.)

5,500-8,500 VALUE (EST.)

$50,000-$70,000 VALUE (EST.)

¥910,000-¥1,360,000 VALUE (EST.)

$6,000-$9,000 VALUE (EST.)

-1% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1983
Unsigned Print Edition of 70
H 67cm x W 102cm

TradingFloor

6 in network
6 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
September 2022Christie's London - United KingdomKeith Haring At Robert Fraser Gallery - Unsigned Print
August 2022Swann Auction Galleries - United StatesKeith Haring At Robert Fraser Gallery - Unsigned Print
September 2021Christie's London - United KingdomKeith Haring At Robert Fraser Gallery - Unsigned Print
April 2021Artcurial - FranceKeith Haring At Robert Fraser Gallery - Unsigned Print
August 2020Swann Auction Galleries - United StatesKeith Haring At Robert Fraser Gallery - Unsigned Print
September 2019Christie's London - United KingdomKeith Haring At Robert Fraser Gallery - Unsigned Print
May 2019Swann Auction Galleries - United StatesKeith Haring At Robert Fraser Gallery - Unsigned Print

Meaning & Analysis

Pre-dating and foreshadowing Haring’s Apocalypse series (1988), this print is an example of how the artist’s subject matter would begin to change mid-way through his career. This scene is shown in a state of hellish war, emphasised by collisions between humanoids and the androgynous figures, as well as the squiggly energy lines.

Keith Haring At Robert Fraser Gallery is directly referencing death and danger, alluding to the socio-economic context that Haring was working within. As an adolescent, Haring witnessed the traumatising events of the Vietnam War on television and undoubtedly this had a lasting effect on his artwork. The dismaying realities of the AIDS epidemic that were just beginning to hit New York are depicted in this post-apocalyptic scene as acts of total violence and devastation, likened to the wars that Haring witnessed on TV in his youth. Just as his good friend Jean-Michel Basquiat had done before him, Haring used his unique graffiti style to erode boundaries between the public and the world of high art.

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