Jean-Michel Basquiat Art for Sale: Prints & Originals

Jean-Michel
Basquiat

Jean-Michel Basquiat’s brief but meteoric career fused Ancient Egyptian influences with contemporary African-American experiences, expressed through his frenetic, pictogram-filled style. Explore his market trends and collector demand in our Collector's Guide to the Print Market in 2025. If you’re looking for original Basquiat prints and editions for sale or considering selling, request a complimentary valuation and browse our network’s most in-demand works.

Biography

Jean-Michel Basquiat’s art is explosive - defined by a visual style that combines childlike imagery with issues of race, culture and celebrity. Though his career was short, Basquiat’s painterly style, exploration of race and culture, and standout childlike iconography has secured his status as one of the most successful street artists and African American painters of the 20th Century.

Born in 1960 to Haitian and Puerto Rican parents, Basquiat was raised in the Boerum Hill area of Brooklyn and showed promise in his artistic talent from an early age. His mother encouraged him to draw and paint, and together they visited many museum exhibitions in New York. At the age of six, the young Basquiat was even enrolled as a Junior Member of the Brooklyn Museum.

Until the age of 15, when he decided to run away from home for the first time, Basquiat attended school sporadically and eventually left his father’s home at age 17 to be adopted by family friends.

All of Basquiat’s art - and success - was marked by his interest in graffiti. Still in high school, Basquiat began creating graffiti projects with his high school friend Al Diaz under the name SAMO. Throughout the late 1970s the pair painted cryptic epigrams across Manhattan’s Lower East side, phrases such 'As if the oppressor was never a child As if heroin was never a flower.'

Despite the artist’s later reflection that SAMO was 'just teenage stuff,' a 1978 article on the duo in the Village Voice and the Soho Times saw SAMO thrust into the spotlight. This allowed Basquiat to enter the circles of avant-garde artists and celebrities such as Andy Warhol and Keith Haring, both of whom expressed a real interest in the quippy, yet critical tone of SAMO and Basquiat’s solo work.

In 1981, Mudd Club co-founder Diego Cortez hung Basquiat’s work in the 'New York/New Wave' show at MOMA, which propelled the artist to fame despite being known at the time largely for his street art. From that moment, Basquiat's career sky-rocketed. Following the attention he gained from publications related to this show, Basquiat sold ten paintings to Italian art dealer Emilio Mazzoli that same year. He also sold his first painting Cadillac Moon (1981) to Blondie singer Debbie Harry for $200 and also starred in the video for their song 'Rapture'. In 1982 he became the youngest artist ever (aged only 21) to take part in Documenta in Kassel, Germany, and in 1983 he was the youngest artist to exhibit in the Whitney Biennial exhibition of Contemporary Art at 22. Despite his premature death at 27, Basquiat's work changed forever the course of art history.

'I never went to art school. I failed the art courses that I did take in school. I just looked at a lot of things. And that’s how I learnt about art, by looking at it.'
Basquiat’s love of art stemmed from his early childhood, where his mother would take him to visit New York’s local art museums. When he was hospitalised at age seven after being hit by a car, he was given a copy of Grey’s Anatomy to occupy himself. The illustrations and mechanical annotations would go on to inform Basquiat’s later iconography in both graffiti and paintings, most notably in his Anatomy print portfolio (1982).
Despite their visual eclecticism, by the mid 1980s Basquiat had established a repetitive motif in his paintings, that of the three-pointed crown. Often depicted on the head of a black, oracle-like figure, the crown is often read as Basquiat’s attempt to recognise his own position in the art world as an up and coming black artist, or perhaps as a form of logo.
Basquiat's desire to explore his heritage - the role that his own experience of black diaspora has had in shaping his work - also led his focus towards other black cultural icons, such as legendary jazz musicians Sugar Ray Robinson and Dizzy Gillespie. In this sense, the crown is also often read as a celebration of black majesty or sainthood.
When SAMO ended in 1980 due to a falling out with Al Diaz, Basquiat was frequently homeless, sleeping with friends or in public parks and selling drugs, begging and also selling hand painted postcards and T-shirts to support himself.
Following his breakthrough in the early 1980s, Basquiat became associated with the emergence of a new wave of young experimental artists in New York, including Keith Haring, with whom he maintained a competitive friendship. His celebrity was perpetuated by his relationship with singer Madonna and his collaborations with Andy Warhol from 1985.
With increasing fame and pressure came increasing personal problems, and Basquiat’s rising paranoia, isolation and drug abuse concerned those around him in the later 1980s. Basquiat died at the age of only 27 in 1988 due to a heroin overdose and following his death, his works have increased in value. Basquiat’s poetry, movies, artworks and popular imagery are still hugely relevant and commercially successful today.