Supercomb
Supercomb
Unsigned Print
Jean-Michel Basquiat
£950-£1,400
$1,800-$2,650 Value Indicator
$1,700-$2,450 Value Indicator
¥9,000-¥13,000 Value Indicator
€1,150-€1,650 Value Indicator
$9,500-$14,000 Value Indicator
¥190,000-¥290,000 Value Indicator
$1,250-$1,800 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Offset lithograph in colours on smooth wove in an edition of 500. Sheet: 73 x 53 cm. 1988.
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2023 | Rosebery's Fine Art Auctioneers - United Kingdom | Supercomb - Unsigned Print | |||
| April 2019 | Rosebery's Fine Art Auctioneers - United Kingdom | Supercomb - Unsigned Print |
Meaning & Analysis
Supercomb, like Rinso, appears to parody infomercials with its stylised lettering and cliche slogans. The outline of a man is depicted holding a ‘supercomb’, which is described as an ‘unbreakable pocket comb’. The chaotic layering of text, paint and sketches in the piece, however, contrast strongly against the tightly controlled visual presentation which defines the advertising press. The almost illegible writing presents a sharp contrast to the accessible, eye-catching text of commercial copy.
A copyright sign accompanies the date, spelt out in words at the base of the print. In the work of Basquiat, materialism and consumer culture are consistently depicted as an enveloping and omnipresent phenomenon which contaminates all. As Leonhard Emmerling writes: “A 1981 drawing shows nothing more than the word “Milk” emblazoned with a copyright sign. This drawing combines a staple food with the claim of control over its distribution and the consequent ability to draw a profit from it.” In the heavily commercialised world of Basquiat’s images, nothing is safe from the carnivorous march of market forces.