Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars
Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars
Unsigned Print
Jean-Michel Basquiat
£60,000-£90,000 Value Indicator
$110,000-$170,000 Value Indicator
$100,000-$150,000 Value Indicator
¥530,000-¥800,000 Value Indicator
€70,000-€100,000 Value Indicator
$570,000-$860,000 Value Indicator
¥10,930,000-¥16,400,000 Value Indicator
$70,000-$110,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Screenprint, 2015
Unsigned Print Edition of 60
H 97cm x W 214cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2022 | Phillips New York - United States | Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars - Unsigned Print | |||
| October 2019 | Christie's New York - United States | Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars - Unsigned Print | |||
| September 2019 | Phillips London - United Kingdom | Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars - Unsigned Print | |||
| July 2017 | Alex Cooper Auctioneers - United States | Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars - Unsigned Print | |||
| April 2017 | Phillips New York - United States | Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars - Unsigned Print |
Meaning & Analysis
Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars is a screen print in colours, and attests to the influence of Jean-Michel Basquiat’s decampment from New York to Los Angeles in late 1982. His new environs presumably cultivated his interest in Hollywood as a subject, as underlined by one of the artist’s best-known paintings, the similarly-titled Hollywood Africans.
The different pace of life in Los Angeles offered fresh perspectives and a re-invigorated approach. Fred Hoffman writes: “Although this served his incredible capacity to process the world around him, it did not serve his stability or physical well being. In the removed environment of Venice, he seemed to find a security and solitude. Away from New York, this emergent talent was able to get on with his mission with significantly less distraction.”
In this print, we see Basquiat depicted together with close friends Toxic and Ramellzee. The image, with its exaggerated stereotypes of Blackness, point to the restrictive and demeaning depictions of people of colour in the history of American film.
