5 Year Print Market Review 2023
Plate VI, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate VI, Untitled 1 - 6
Signed Print

Keith Haring

£24,000-£35,000 VALUE (EST.)

$45,000-$70,000 VALUE (EST.)

$40,000-$60,000 VALUE (EST.)

¥220,000-¥320,000 VALUE (EST.)

28,000-40,000 VALUE (EST.)

$230,000-$340,000 VALUE (EST.)

¥4,390,000-¥6,410,000 VALUE (EST.)

$30,000-$45,000 VALUE (EST.)

20% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1982
Signed Print Edition of 40
H 57cm x W 84cm

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1 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
April 2017Christie's New York - United StatesPlate VI, Untitled 1 - 6 - Signed Print
October 2010Bonhams San Francisco - United StatesPlate VI, Untitled 1 - 6 - Signed Print
March 2008Phillips London - United KingdomPlate VI, Untitled 1 - 6 - Signed Print

Meaning & Analysis

The movement and energy of the image suggests they are dancing or talking to one another. The two central figures that dominate the composition are surrounded by other shapes rendered in similar black lines. The print is full of zig zags, swirls and curved lines. These lines, which seem to be inspired by Aztec line drawings, bring dynamism to the print and a sense of constant movement.

The strong lines seen in Untitled are typical of Haring’s work. The ‘energy lines’ emitted by the central dog-like figures are seen in Haring’s other works, such as the Growing series, and evoke the power of people working together, community and solidarity. Haring returns to the dog figure later in his artistic career, producing the Dog series from 1985-86. The barking dog, as seen in this print, has become an iconic symbol created by Haring. The dog first appeared in his subway drawing series from 1980-85 as a symbol to represent authoritarian government, abuse of power and oppressive regimes.

Untitled is an example of the lithographs Haring made earlier in his career. Soon after this print, in 1983, he began making screen prints. This change in technique was likely due to the medium being popularised by Andy Warhol, one of Haring’s most important influences.

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