Growing 4
Growing 4
Signed Print
Keith Haring
£40,000-£60,000
$80,000-$120,000 Value Indicator
$70,000-$110,000 Value Indicator
¥360,000-¥540,000 Value Indicator
€50,000-€70,000 Value Indicator
$390,000-$580,000 Value Indicator
¥7,560,000-¥11,340,000 Value Indicator
$50,000-$70,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 100
Year: 1988
Size: H 72cm x W 98cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2024 | Swann Galleries | United States | |||
| November 2023 | Doyle Auctioneers & Appraisers | United States | |||
| September 2023 | Bonhams Los Angeles | United States | |||
| October 2022 | SBI Art Auction | Japan | |||
| October 2018 | Christie's New York | United States | |||
| October 2014 | Phillips New York | United States | |||
| September 2014 | Christie's London | United Kingdom |
Meaning & Analysis
This signed screen print from 1988 is a limited edition of 100 from Keith Haring’s Growing series. Growing 4 shows a brightly coloured image of a number of stick figures conjoined and stemming from a single, central figure. The composition develops organically outwards and resembles the shape of a tree, the central figure acting as a trunk and limbs of the bodies like branches.
Haring was passionate about the democratisation of art and used his positive visual language as a form of activism to raise awareness around important socio-political issues of the 1980s. The depiction of conjoined figures in the Growing series subverts the prioritisation of the individual in capitalist society and instead evokes a sense of community and the power of working together.
Like much of Haring’s later works, this print strikes a balance between pattern and figuration in such a way that it recalls the art of Australian Aborigines. Vibrant in its use of flat, contrasting colours, Haring produces a sense of rhythmic surface pattern in Growing 4. Notably, the figures appear as though break dancing, reflecting the artist’s love of 1980s hip hop and something that Haring became very interested in as a means to communicate joy and togetherness.
